Comedy

“Look, as lousy as the marriage is, the divorce is going to be much, much worse.”

The subject of divorce isn’t exactly a laugh riot in real life, so the makers of HBO’s comedy series tracking the dissolution of a decade-long marriage had their work cut out for them. Divorce (not surprisingly) takes a darkly comic approach to the hostile material; the problem is the show seemingly forgot about the part where we’re supposed to want to spend time with these people every week. The series also marks the HBO return of star/executive producer Sarah Jessica Parker…call this new show No Sex in the Suburbs.
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“As it turns out, there’s a virtually unprecedented tie in the Electoral College.”

If you thought the latest U.S. presidential election cycle was a soul-crushing and unpredictable mess, you should take a peek at what’s happening on Veep. (At least we got a definitive real-life result…eventually.) The show’s outstanding fifth season begins with President Selina Meyer — who assumed the office after her predecessor resigned — locked in a frustrating Electoral College tie as she seeks to become the first woman to be *elected* to the highest office in the land. President Meyer sums up her predicament in a manner befitting HBO’s caustic, constantly-cussing comedy: “didn’t those Founding F—ers ever hear of an odd number?!”
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“Think inside the box.”

One of the major through lines in season 3 of Silicon Valley is that our heroes at Pied Piper have created a product so ahead of its time that it is failing to connect with consumers, which puts the start-up company in peril. Fortunately, HBO’s brainy and bawdy tech comedy hasn’t had any problems connecting with its audience: the show’s confident and hilarious third season seamlessly mixes talk of “compression algorithms” with outrageous sight gags involving horses getting, um, familiar with each other.
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“Black women aren’t bitter. We’re just tired of being expected to settle for less.”

When people talk about racial and gender equality, they typically point to notions like everyone having the right to vote or the same opportunity to pursue their personal or professional passion without fear of discrimination. The premise of Insecure — HBO’s funny and insightful comedy series about modern relationships — is not quite that lofty, but no less worthy: black women reserve the right to be just as neurotic and lead love lives that are every bit as messy as their white counterparts.
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Danny McBride managed to inhabit the role of Kenny Powers to such an extent that I do appear to have trouble keeping them separate. I thought that the arrival of a new series would finally put that issue to rest. I’m discovering there was a reason I had trouble telling them apart. They are indeed the same person. Add to the situation that Vice Principals uses the same writing and production team headed by McBride and Jody Hill, and there are moments when you will think that you’re still watching Eastbound And Out. The wild card that changes things up enough happens to be Walter Goggins. Goggins came to notice as the cold Shane in The Shield and the quirky Boyd Crowder in Justified.
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“I don’t want to be in this relationship anymore, and I don’t know how to get out.”

A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.
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American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn’t let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That’s where HBO’s Ballers comes in. It’s a half-hour look at the NFL from the player perspective, both current and retired. It’s intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn’t hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.
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