Suspense / Thriller

Paul Walker built his career on playing tarnished golden boys (Varsity Blues, The Skulls) before breaking out with the Fast & Furious franchise. He wasn’t as decorated as fellow recently-departed colleagues like Philip Seymour Hoffman, Peter O’Toole, James Gandolfini and Harold Ramis, but Walker was unequivocally a Hollywood success. Hours is one of the last films the actor completed before his November death in a single-car accident. The film quickly loses its way after a promising start, but Walker is easily the best thing in it. His work here is a bittersweet glimpse at the sort of roles he might’ve taken on as he progressed through his 40’s.
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“We are your Family. We come before anything, even your own family.”

Everything about Once Upon a Time in Brooklyn — the setting, the storyline, the cast, the title — brings to mind vastly superior crime dramas. To be fair, it’s incredibly difficult to say something in this genre that hasn’t already been said brilliantly by the likes of Francis Ford Coppola, Martin Scorsese or David Chase. So instead of trying to carve out its own turf, this low-budget effort seems to almost revel in how derivative it is. At the very least, the people who made this movie seem to love gangster flicks as much as we do.
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