Godfrey Reggio made Koyaanisqatsi in 1983. It was followed by two other films, Powaqqatsi and Naqoyqatsi. The trilogy of films were all scored by Phillip Glass and filmed by John Kane. They are the Hopi Indian words for imbalance, transformation and war. Nothing like them has penetrated the culture to such a pervasive extent. Their subversive content is unchallenged. They stand alone, and to say they are unique is a massive understatement. If you have seen them, you know what I mean.
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As we get even closer to the release of Michael Bay’s next foray into the Transformers universe with Transformers:Age of Extinction, Shout factory releases yet another series to help whet our appetites. As a kid growing up in the 80’s it was impossible to exist without knowing who Optimus Prime was or being able to hum (if not sing) the theme song to the cartoon.  But since the release of the original cartoon there have been so many spinoffs it’s hard to keep them all straight.  In 2007 Cartoon Network and Hasbro Studios set out to capture the imaginations of a younger audience following the success of the movies.  How does the series stack up to the 80’s classic?
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It’s hard to start a series in its fourth season. That’s particularly true of today’s huge mythology-arc shows that require you to be up to date at all times. Such was the task I found myself facing when we got a copy of Rizzoli & Isles to review. Fortunately, this is one of those pleasant exceptions to the rule. While I’d suggest that newcomers pick up the first three seasons anyway it’s not an absolute necessity. So if, like me, you’re discovering this one a little late, fear not. They’ll be a little work to catch up, but the fun kind.
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Of the cartoons that are on air, it’s no contest in choosing what is my favorite show. Regular Show just strikes a chord with me and reminds me of the antics of Ren and Stimpy back in the 90’s.  Sure, the show airs on Cartoon Network and kids could watch it, but the show seems more aimed at a teenage audience or at least the parents who are trying to find something to watch with their children.  Here at Upcoming Discs, when we get a series to review this usually entails a lot of binge-watching
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“Uncooperative witnesses are becoming a specialty of mine.”

That statement clearly describes Deputy Chief Brenda Johnson…except it doesn’t. Not anymore. The Closer was a stand-out hit for the folks at TNT. It’s no surprise that when the show’s star Kyra Sedgwick wanted to leave that the network would want to continue the show. That’s a little harder when the lead leaves. Shows have survived the loss of their lead, but the remaining years were usually something lesser than it once was. That’s not the case here.
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By Zach Abati

Telling a story that takes place in one location isn’t the easiest thing to do. Films like Clerks, 12 Angry Men, and Saw show that it is possible to do, as long as you have the writing and direction to pull it off. Alpha Alert was able to do just that, even though it still had its ups and its downs. When a terrorist attack hits the streets of D.C., Cpt. White (Jennifer Morrison), Pfc. Diego (Stephen Rider), and Sgt. Oldsman (Josh Stewart) become trapped as an innocent elevator ride now becomes an escape mission
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Revenge films are simply one of those guilty pleasures that seem to always be in the pipeline for being released, whether it’s on the big screen or straight to DVD. They are the kind of films that allow us to escape into the anti-hero’s frame of mind and go along on their journey of vigilantism.  Perhaps we may not have encountered the same circumstances of characters avenging slain family members (The Outlaw Josey Wales, Death Wish) or violent sexual assaults (Ms. 45 and Make Them Die Slowly) each film gives us the chance to remove ourselves from reality and politically correct convictions and root for these characters
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Mike Warren (Tveit) has just graduated at the top of his class for the FBI. His family includes past directors, and he’s personal friends with the current director (Vance). He expects to write his own ticket to a fast-track gig in DC and into a director’s chair at a young age. It all gets sidetracked when he’s assigned to Southern California and a place called Graceland. It’s a beach house seized in a drug bust. Now it’s an inter-department Federal unit. There are FBI, DEA and Customs officers all sharing the house and coordinating both their domestic lives and their law enforcement lives
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