By Chris Cook

For Baby Boomers, Saturdays in the 60’s and early 70’s meant a bowl of cereal, Saturday morning cartoons, and the Banana Splits. Hanna-Barbera Productions gave us these four silly creatures for fun and entertainment. They were an answer to the Monkees. The characters were developed for Hanna-Barbera by brothers Sid and Marty Krofft, who later became famous for H.R. Pufnstuf. Fleegle, Drooper, Bingo and Snorky were whimsical and fun, bordering on psychedelia. The Banana Splits Show lasted 31 episodes but went on to syndication until 1982. Every episode consisted of a “meeting” of the Banana Splits Club. Their brightly colored set was the clubhouse. They would frolic in their harmless, nonsensical fun at their crazy “clubhouse” in the studio as well as out in public. Along with the usual festivities were comedy skits and songs.
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“This is going to hurt … a lot!”

If you are at all familiar with the NCIS franchise, you know that the show tends to follow a bit of a formula. Each spinoff has some unique style aspects, but the episodes tend to be relatively self-contained. That means you can start with Season 5 of NCIS: New Orleans and still be able to appreciate most of what’s going on. You’ll get to know and understand the characters pretty quickly. The franchise has leaned more toward continuous story arcs of late, and NCIS: New Orleans does that more than the others. So while you could certainly enjoy this release on its own, I still recommend you go back and catch up on the first four seasons just to get caught up and maximize your enjoyment. The good news is that we can help you with that. You don’t have to wade through 10 years of Jag, 17 years of NCIS and 9 years of NCIS: L.A., although that might be one heck of a fun binge. Just catch up on the first four seasons of this show and you’ll be ready to go. You can check out those reviews here.
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In case you missed it, ever since Disney acquired the Star Wars property they have been milking it for all it is worth.  For kids (and some adults), this has been something to be excited about.  I’ve seen some pros as well as cons since the acquisition took place, and really, I don’t know if I’ll fully make up my mind any time soon considering we still have another Star Wars film coming out in December as well as the live action series The Mandalorian coming to the Disney streaming service soon.  I want to be excited, but after seeing The Last Jedi, I’m a bit nervous.  It was a film I was excited about, one helmed by a writer and director I have a lot of respect for, but I hated that film, something I never thought I’d feel towards a franchise that is near and dear to my heart.  I bring all this up because the first season of Star Wars: Resistance is geared towards kids but also takes place during the events of The Last Jedi.  What I can happily say is that despite a shaky start, the first season of Star Wars: Resistance tickled the kid inside me who first fell in love with the series so many years ago.
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For nine years Blue Bloods has been a staple on CBS, giving Tom Selleck a chance to completely redefine his television career. The once cocky and carefree Magnum P.I. now has established himself as the wise patriarch. It’s a transition that a 1970’s audience would never have bought. But now he’s become a new kind of airwaves icon. The show has also managed to make it through eight years with very little change in the cast, and most of that coming from additions. This season is the first for the show to lose one of the major players and a rather beloved character on the show. Instead of making the season weaker, I think this might well be one of the strongest yet for the series.
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When you guys try to destroy the world, it’s just an error in judgement. But when it’s one of us, it’s lock them up and throw away the key.”

For years now, the only thing my daughter has had to talk about is Descendants. I’ve had to endure the movies; I’ve had to buy the memorabilia. She has even had a Descendants-themed birthday party. So, we can go into this review knowing that good or bad, this film was going to have the Nalyce stamp of approval. Bias, I know, but fortunately we can depend on me to go into the film with my eyes open. Of the three films, this is quite possibly my favorite of the franchise, as it speaks real truth, especially the quote above.
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Lucille Ball was originally a radio personality starring in a popular comedy, My Favorite Husband. It was here that she began to develop the character she would continue to play for decades in television through several shows, all bearing her name in one form or another: I Love Lucy, The Lucy Show, Here’s Lucy, and Life With Lucy. See the pattern? Anyone who was a fan of the radio show would instantly recognize the red-haired actress even though they had never actually seen her on the radio. That exaggerated cry was already a staple of her physical comedy, even when she couldn’t be seen. She had also toured for many years with her real-life husband Desi Arnaz. When they could not convince a network to film a pilot of a show featuring both of them, they made it on their own dime. CBS was so impressed with the pilot they reimbursed the couple, and in 1951 I Love Lucy hit the airwaves.
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In 1975 a group of guys thought it was a good idea to steal $30 million from the mob. Vault just happens to be the “Hollywood” version of how that heist went down.  This is the kind of story I’m surprised has taken so long to make it to the big screen. While I’m not familiar with the facts on the heist and how it went down, something tells me there we plenty of liberties taken with this film.  Here’s the thing, though; whether the whole story was fiction or a true story, it’s a good idea and should have resulted in a fun heist film.  I’m impressed by how this film took such a good idea and turned it into the snooze-fest that we get here.  Despite having Chazz Palminteri, Don Johnson, and Vincent Pastore making appearances and a running time of 99 minutes, I can’t understand how this manages to feel like an over-bloated missed opportunity.
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Plus One takes a completely predictable premise and injects some much needed chemistry and comedic timing into it. I mean, come on; based off the synopsis alone we can tell that it is inevitable that our leads’ interactions will eventually turn romantic. I mean, we’ve got Ben, played by Jack Quaid (Meg Ryan and Dennis Quaid’s son, also the star of Amazon Prime’s latest series, The Boys), the last of his single friends who has romanticized the idea of the perfect companion. Then there is Alice, played by Maya Erskine (PEN15), a jaded woman following a breakup. These two single friends decided to team together and act as each other’s plus ones to all their friends’ weddings. Come on, it doesn’t take a seasoned critic to see the romance coming. This ideal is pretty much standard operating procedure in romantic comedies with hit-or-miss potential. Well, if it hadn’t been for the chemistry between Quaid and Erskine, the comedic timing of the supporting cast, and Erskine’s individual performance, this movie wouldn’t have been a hit.
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I am a Power Rangers fan. I grew up during the first incarnation of the series and had every one of the action figures with the flipping head to show them masked and unmasked. Hell, I am even a fan of the film that premiered in 2017 so much that I would welcome a sequel, though that prospect seems unlikely with the rising profiles of Naomi Scott, RJ Cyler, and Dacre Montgomery. All that said, Turbo: A Power Rangers Movie is where I get off the bandwagon. Despite featuring some of the original cast members, the story is too convoluted and over-the-top to find enjoyable. Taking place after the events of Powers Rangers’ fourth season, also known as Power Rangers Zeo, Turbo sees Tommy Oliver still in command (i.e. the red ranger) of the last crop of Rangers. While competing in a local charity fight to save the Youth Shelter, Rocky DeSantos takes a fall and is seriously injured, which leads to the discovery of their identities by Justin, a friend of Rocky and frequenter of the Youth Shelter. Meanwhile, a new enemy emerges in the form of Divatox, an intergalactic space pirate who is searching for a key that will allow him to traverse an inter-dimensional gateway in order to marry a Maligore, who has promised riches and immense power in exchange for their union.
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With a title like Hail Satan? you know your film is going to evoke a reaction.  I’m not sure when doing a documentary you really want to polarize your audience, but when you also have DVD cover art of Baphomet, well, then you’re basically taking the ram (in this case) by the horns and just going for it.  One of the core subjects the documentary is covering is about the freedom of expression in regards to having a Baphomet statue erected to stand next to a statue depicting the 10 commandments on government property.  It’s a film that does its best to stay neutral when it comes to religious freedom but in the process becomes a bit problematic for both sides of the debate.  This is one where it got a little frustrating to watch, but I was impressed by how entertained I was throughout it all.
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