Disc Type

For all intents and purposes, Season 7 is the final season of Ray Donovan. The end came rather suddenly and after it was too late to create and film some kind of satisfying finale for the series. The cast and crew were taken by surprise, so you can imagine how the fans of the show are taking this. To make matters worse, the last episode, while not a complete cliffhanger, leaves too many strands of thread that weren’t connected. There’s nothing satisfying about this finale, and that created waves in the world of fandom. Star Trek is famous as being the first television show that a network cancelled and then brought back because of a huge letter-writing campaign that flooded network executives and pushed them into an unprecedented action for that time. The show was brought back. Imagine what those rabid fans could have done today with the internet and social media. The call has gone out, and while Showtime has made no move to offer any kind of reversal or concession, the show’s star reached out with a somewhat cryptic message of hope. He assured fans that the Donovan family isn’t finished just yet. What that reprieve might be, there isn’t a clue offered, but it’s doubtful at this point that the show will return as an 8th season. The likely scenarios include a Showtime film like we saw recently for Deadwood. There’s a shot at a feature film at the theatres, which is where Star Trek’s original crew ended up. There’s always a chance of a revival mini-series like we’ve seen over at Fox for The X-Files and Prison Break. I don’t know what form it might take, but I do believe the characters will return in some way. Unfortunately new global circumstances have placed pretty much all television shows, films, and other outlets for entertainment in doubt, at least in the short term. Eventually we will get out of this, but I suspect Ray Donovan won’t be the first priority out of the gate. Fans are going to have to be patient here. I believe it will happen, but I’m as equally convinced that it won’t happen soon. So for now you’re going to have to savor these last 10 episodes for a while, and this DVD release gives you the means to do just that.
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Paramount is borrowing an old idea from Walt Disney Studios and making it a bit more modern. They’re digging into their vault of classic films and doing 4K restorations and releasing them under the new Paramount Presents banner. Now, as much as I’d like to see actual 4K UHD releases, I suspect that these are intended to be feelers for various classic films to try to gauge the demand for these trips into the archives. I also suspect that the titles that show the most promise will likely end up seeing a UHD release. It’s actually a pretty good plan and a chance for you to “vote” with your dollars and show each film what kind of interest still exists. I’m sure some will falter and fall by the wayside, while a few polished gems will show the kind of promise that calls for the 4K release. Now the restoration work is done, and it’s just a matter of printing some discs. So here’s a look at the first three films served up for consideration. Each is sold separately and comes in a cardboard case covering the plastic case that folds out to reveal a release poster for said film. The presentations are nice and geared toward the collector.
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“If you take Alaska’s genetic code, add her life experiences, and relationships she had with people, and then you take the size and shape of her body, you do not get her.”

First impressions were that this was an experience that could by shared with my daughter. However, it wasn’t long before she found herself sent away due to the mature nature of the content. Little did I know that this series was Hulu’s answer to Netflix’s 13 Reasons Why. That said, though there are clear correlations between the two properties, such as they are both based on popular novels and cover highly emotional and serious topics such as suicide and the importance of connection with people. Looking for Alaska manages to infuse some levity into its plot. This inclusion goes a long way towards solidifying the limited series’ (as I understand it, there are no plans for another season) individuality and providing an enjoyable balance to what comes to a somber conclusion.

“If people were rain, I was drizzle and she was hurricane.”
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It started with Kentucky Fried Movie, which was a somewhat modest box office success mainly because of the genius of Joe Landis as director, but this game really took off three years later with the box office hit Airplane. It was a spoof of all of those Airport films we saw during the 1970’s and 80’s. They all had the same formula and were almost spoofs of themselves by the time the string ran out. The film pulled in an impressive $85 million on a measly $3 million budget. The team of Jim Abrahams along with brothers David and Jerry Zucker was born, and comedy would never quite be the same. The comedic form they developed relied on a lot of deadpan delivery of one-liners and some rather stilted wit. But it was something different, and it wasn’t really a surprise that the team would want to keep it going. A second Airplane film wouldn’t come along for a couple of years, and it would be guided by a completely new team. This trio was on to bigger and arguably better things. The first step was to land on the television screen with a police comedy called Police Squad. It was hoped the show would help capitalize on the same kind of comedy that took Airplane to the stratosphere. They would also maintain the film’s star, Leslie Nielsen. It should have been a no-brainer and an instant hit. It lasted six episodes and was gone in a hot flash. But that wasn’t quite the end of the story.
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Here comes the ultimate comedy about a codependent relationship; however, though that may not sound that good, in this film it is very entertaining thanks on no small part to Tiffany Haddish and Rosa Byrne. Haddish and Byrne play Mia and Mel respectively, two independent women with their own cosmetics storefront. Though their line is very popular, their revenue does not reflect their popularity due to an inability to mass produce, causing them to fall into deep debt and in danger of losing their store. Then along comes a spider in the form of Salma Hayek’s Claire Luna, the head of a internationally successful cosmetics conglomerate that offers to invest into their company. Haddish and Byrne are both well established in the comedy genre, but the combination of the two made for one the best comedy experience that I’ve had this year. My wife kept telling me that I would enjoy the film (this was one of the rare occasion where she went to a movie unaccompanied by me), but given our different taste cinema-wise, I was expecting a film full of cliché, especially given that it seem like the entire film was given away in the previews. Well, honey, let me say for the record that you were right.
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There comes a time in any project where one must decide exactly what their mission is. In entertainment, that’s usually a pretty easy question to answer. Of course your goal is to entertain as many people as possible so that it can be profitable and enduring. For many years there have been filmmakers and television series show runners who have let that goal get out of hand, mostly in the political arena. I don’t have any issue when a show’s editorial policy happens to come down on one side or the other. It doesn’t even matter if it’s my side or not. But two things I don’t want in my entertainment. I don’t want to be hit over the head every five minutes. Trust me to get your point. The second is that there must still be entertainment value that compels me to care about a show and its characters and their stories. Madam Secretary fails in both of these tests. The West Wing was just as political, but there was a demanding quality to everything from the performances to the stories and production value. As a government teacher, I was impressed at how many of those little-known facts about our system they got right. I used moments of the show as teaching moments. This last season of Madam Secretary would be a disaster in any classroom.
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To the point, Criminal Minds is very compelling television. Ever since The Silence of the Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds. But now after 15 seasons the series has come to an end, and we realize it wasn’t just the murderers we’ve been tuning in to see. The characters have become like a little family, and their stories were just as compelling over the years. Now Criminal Minds finishes with a brief 10-episode final run, and it’s out on DVD from CBS Home Entertainment.
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“Welcome back to Jumanji!”

It would seem that welcoming the audience back to the jungle is in order. Now here is a sequel that when I heard it was being made, all I could do was shake my head. I just couldn’t fathom a reason for a sequel to be made. The film was already a continuation of the previous installment. I also couldn’t fathom a worthwhile story being told. And if it wasn’t for the hard work of Jack Black, who basically made the movie, I believe that my opinion would not have been changed otherwise. After barely escaping the game the first time, the group finds themselves drawn back into the world of Jumanji in order to save one of their own. However, the stakes are higher, as not only is the gang venturing into brand new territory; they are hampered due to being saddled with two new players in the form of franchise newcomers Danny DeVito and Danny Glover. The previews did not do the film justice, as it truly turned out to be far better than I was initially anticipating. It does get a bit long-winded, but for the most part it is a good, fun, and funny return to the established universe.
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Bombshell is a dramatization of the real-life scandal that occurred at broadcast news giant Fox News in 2016, where multiple women came forward to report incidents of sexual harassment, many of which involving the chairman and CEO of the company, Roger Ailes. This is an event that I’m sure everyone had some awareness of back then, and if you didn’t, you know about the events involving Weinstein. In regards to this film, it is told from the prospective of three women who were employed at Fox News: Megyn Kelly, played by Charlize Theron, Gretchen Carlson, played by Nicole Kidman, and Kayla Pospisil, played by Margot Robbie. Unlike Theron’s and Kidman’s characters, Robbie’s character is actually a composite character based on accounts of multiple women. In addition to these talented women, this film has someone recognizable names that it would take me the length of this entire review for me to record them all, but I will give you a few of the most prominent cast members: John Lithgow, who portrayed Ailes, Malcolm McDowell as Rupert Murdoch, and Kate McKinnon, who played a friend and confidant to Robbie’s character. The list literally does go on and on.
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A sure sign that Easter is just around the corner is yet another home video release of perennial seasonal favorite The Ten Commandments. In years past, we got the multi-disc edition, complete with original silent version of the film. This particular version is rather more stripped down, as far as features go, but it does mark the film’s re-release on Blu-ray. It’s a collector’s item kind of package with the discs arriving in a book form that isn’t quite that full of info but looks kind of nice. The set includes the exact same discs and extras as the original Blu-ray release offered. On the surface this looks like one to avoid if you already have the previous release. But they baited the hook with more than fancy packaging. You get the original DeMille 1923 version of the film, and that’s quite a good reason to pick this up. I’m disappointed that there’s no 4K version of the film. It was originally shot in 70mm, and a restored 4K disc could look incredible. Maybe next Easter.
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The notion that there are two sides to every story is at the center of The Affair. Almost every episode depicts the same events related to the titular adulterous relationship from two different perspectives. It’s an ingenious and inclusive storytelling tool, because TV viewers are encouraged to spot the differences in each character’s account of events. (Along with inconsistencies in hairstyles, wardrobe, wallpaper, etc.) That’s why I was somewhat disheartened by the latter portion of the season veering away from what made the show great.

– “Marriage means different things to different people.”

– “What does it mean to you?”

We first meet schoolteacher/struggling author Noah Solloway (Dominic West) as he prepares to head to Montauk, Long Island
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