“Good evening. Let me welcome you to this parlor of paintings. We offer them to you for your enjoyment and edification. Feel free to dwell on them at your leisure and in your own good fashion, but kindly don’t touch, because here they frequently touch back.”

When I mention the name Rod Serling, I’ll bet that The Twilight Zone is the first thing that pops into your head. And why not? It would be very hard, indeed, to argue against the impact that The Twilight Zone has had on television. To say that the series was a milestone in that medium would be an understatement of the worst kind. When Rod Serling brought his landmark series to CBS in October of 1959, television was still very new. No one was quite sure what the future held for that magical box. For five years Rod Serling would enter our living rooms with the most bizarre tales we’d ever seen.
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“It’s uncensored, so language and sexual material is off the charts. So if that’s not your style, you have been warned. No political correctness…”

It was the early 1990’s, and record producer Russell Simmons got an idea and brought it to the folks at HBO. In a very short period of time, the half-hour show he created would become the highest-rated show in cable television history. He brought both the big names in black comedy as well as so many newcomers who have gone on to become big stars themselves. This was the days before streaming, and it came on Friday nights just as the folks who usually watch these things were out getting their entertainment live and in person. It was quite an accomplishment to get those folks to stay home and watch a half-hour television show instead. But that’s exactly what happened, and while the series ended in 1997, in five short years it made both television and comedy history.
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When the MCU announced their intention to move forward with this sequel despite the tragic demise of Chadwick Boseman, I voiced my displeasure loudly. As far as I was concern, there could be no Black Panther without Chadwick Boseman. Additionally, it just seemed unnecessary. The first film was masterful and complete. It didn’t require a sequel. We could have just preserved the integrity of the first film by letting it stay untouched. However, that is not how the business works. If there is a dollar to be made, there isn’t anything that won’t be diluted down for that sake. I realize that sounds harsh, but if I’m being honest, that is what Wakanda Forever felt like to me. This not to say that there weren’t some good, genuine moments that brought me back to my feelings that I had while watching the first one. It is also worth mentioning that I found the film to have paid Boseman the proper respect that I believe he deserved, both with a powerful moment of silence at the beginning of the film, as well as a funeral processional for his character that was fit for a king that he was in film and in real life. It just still wasn’t enough. The elements to make it great were there, but the story leaves a lot of things incomplete and unresolved despite having a runtime of nearly three hours.
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Into the Deep is one of those films that offers so much promise with its setup that it is a bit frustrating when you watch the final product and it has managed to fall short in every way imaginable. When I first read the synopsis, I couldn’t help but think about the 1989 film Dead Calm. It’s one of those underrated psychological thrillers that I always felt was fun. While Into the Deep does share some parallels, unfortunately this film just goes off the rails because of its absurd plot twists and, well, let’s face it; no one in this cast is on par with Sam Neill, Billy Zane, or Nicole Kidman.  Into the Deep is a film that pretty much hopes that its audience isn’t thinking about logic, because the moment you apply any sort of critical thinking, this film just falls apart. Jess (Ella-Rae Smith) is still struggling with the loss of her mother as the anniversary of her death is approaching.
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“It’s a different world out there.” 

Ray Donovan: The Complete Series is out from CBS Home Entertainment, and it includes all 82 episodes and the television movie that was released to make up for the sudden cancelation without a proper sendoff for the Donovan clan. You get 29 DVD’s, and the set includes all of the extras from the individual season releases. You do have to deal with those large overlapped spindles, so I suggest you create another environment to store them.
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Next year we hope to return to our usual 31 Nights Of Terror. This year we are going to offer you some Halloween Spotlight titles that would be a great idea to pick up for the scary season. So… we’re still your October Night Mayor and here’s a great idea for Halloween from our friends at Film Detective. 

“That’s just the wind banging the door, pay no attention to it. Listen to this.”

Enter The Film Detective.
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So whenever I am reviewing a movie, I try to identify positive things about the film. Even if I end up not liking the movie overall, I at least try to make sure to point out aspects that I think the film did well, a performance that was particularly strong, or a piece of dialog that resonated with me. It’s part of my process to ensure that I am delivering a balanced review. Even if the film isn’t my favorite, it still has the potential to provide some positive ray of light into my experience.  However, I’m not so sure that I will be able to do that this time around, as Guardians of Time was a film that I just couldn’t wait for it to be over. Now in the interest of fairness, it is abundantly clear that I am not the target audience for this film; that demographic appears to be steered towards the early elementary school crowd. I’d say no higher than second or third grade. Any higher and the production quality is not likely to hold up with them. Then again with this generation, given the technology that they have at their fingertips, it may not hold up with them now.
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Next year we hope to return to our usual 31 Nights Of Terror. This year we are going to offer you some Halloween Spotlight titles that would be a great idea to pick up for the scary season. So… we’re still your October Night Mayor and here’s a great idea for Halloween from our friends at Paramount/CBS/Showtime. 

“Tonight’s the night, and it’s going to happen again and again. It has to happen …”

What is going to happen is that Dexter: The Complete Series has come to Blu-ray. I can’t think of a better cable show to make the leap onto high definition. More than any show, I think I’ve been looking forward to this release. Imagine what it would be like to visualize Dexter’s world in such wonderful detail. Imagine no longer. Dexter’s here, and he’s got something to show you. Now that the series has finally gotten a proper resolution with Dexter: New Blood, it’s time to have a complete collection on your shelf.
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Next year we hope to return to our usual 31 Nights Of Terror. This year we are going to offer you some Halloween Spotlight titles that would be a great idea to pick up for the scary season. So… we’re still your October Night Mayor and here’s a great idea for Halloween from our friends at Paramount/CBS/Showtime. 

“You’re traveling through another dimension. A dimension not only of sight and sound, but of the mind. It is the middle ground between light and shadow, between science and superstition. And it lies between the pit of one’s fears and the summit of one’s knowledge. You are now traveling through a dimension of imagination. You’ve just crossed over into The Twilight Zone.”

It would be very hard, indeed, to argue against the impact that The Twilight Zone has had on television. To say that the series was a milestone in that medium would be an understatement of the worst kind.
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“For more than two decades, families across America gathered around the television every Sunday night to watch The Ed Sullivan Show. Both the country and its music underwent an enormous evolution over the course of those years, and the show not only kept up with the times, it informed them. The long and winding road of music history is full of forks, but from the 1950’s through the early 70’s, one stop was essential: The Ed Sullivan Show.”

You can say that again. Ed Sullivan’s Sunday night variety show first aired June 20th, 1948 and left the air March 28^th, 1971. Three years after the show ended, Ed Sullivan passed away, and with him one of the most iconic faces of the entertainment industry. Think about how much America and music changed throughout those years.
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I must confess that I missed the boat on the original film, so going into this film I had reservations regarding my ability to properly review this film given that I haven’t seen the original. These concerns were made irrelevant by the revelation that this film, Orphan: First Kill, is actual a prequel to the first film. In this film, we get to see the events that led Leena Klammer to become what several people in the film call her: a monster. In 2007, Klammer is a 31-year-old psychiatric patient with a rare hormonal disorder called hypopituitarism that gives her the appearance of a 10-year-old child. After orchestrating an escape from the Saarne Instituute in which she manages to kill at least two people, Leena researches missing American girls and finds that she bears a resemblance to a girl named Esther Albright, and hatches a diabolic plan. However, it is not long before she realizes that in this seeming ordinary role that she has managed to slither into that she is not the only one with blood on her hands.
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