Criminal Minds is about to enter its 15th and final season, and unlike some of the other long-running shows on CBS, this one has had a fair share of bad luck. Cast members have gone, and even returned after a couple of years. Two years ago the show’s top star gets fired for physically threatening people on the set. The series has had two attempts to spin off, but unlike CSI or NCIS, neither show could get out of its second year alive. Not even Gary Sinise could save the franchise. The mothership is finally about to land, and the 14th season would become the most stable season in a few years. No new cast members, and no one left the show from the previous year. The 14th season was a shortened one that only came in at 15 episodes, but they made the most out of each of them. The show started the season with their 300th episode, and while it’s all coming to an end after the upcoming 15th season, there’s still a little life left in the show to be worth another look here.
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He is heralded as the gold standard of traditional country music. He has released 16 albums, including three greatest hits albums, two Christmas albums, and two gospel albums. He has sold over 80 million records. His accolades include two Grammy awards, 16 CMA (Country Music Association) awards, 17 ACM (Academy of Country Music) awards, and he was inducted in both the Country Music Hall of Fame and Nashville Songwriter Hall of Fame. However, before this disc I had never even heard his name. Don’t get me wrong; I’m not a big country music fan, but I have some familiarity, so I figured I should recognize him. Then I realized that all the country musicians I know pay homage to this man. That alone establishes the mark this man has had on the music genre.
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“This drama is based on the true story of a police investigation in Southwest London between 2004-2006. Some names have been changed, and some characters and scenes have been created for dramatic purposes.”

Serial killers have mostly been the stuff of American dramas and unfortunately the American reality. This particular brand of sociopath doesn’t appear to thrive in the confining environments of most countries. Of course, for some it’s that they shy away from the designation, and for others it’s pure denial. But in the period between 2004 and 2006, Great Britain was terrorized by this very kind of human animal. The criminal’s name was Levi Bellfield, and for two years an English task force hunted this killer. The lead investigator was Deputy Chief Inspector Colin Sutton. DCI Sutton ended up writing a bestseller book on the case, and now it has become an ITV series out on Blu-ray from Acorn.
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Stop me if you’ve heard this one before: single gal(s) looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. It’s an effective, well-worn story hook that has now gotten a funny, tremendously weird spin thanks to Comedy Central’s Broad City. Broad City began life as a web series.  Now CBS has brought together all five seasons of the series and put it in one big release. You get 11 discs. Each season has 10 episodes spread out on two discs. You also get an extra disc with all new bonus features that give you an added reason to pick this collection up.
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The youth of today don’t appear to understand that movies and pictures used to be taken on a physical medium called film. The problem, of course, was that you didn’t get to see your masterpieces immediately. You had to take the film to be developed. So perhaps that little generational disconnect explains why some filmmakers don’t get that plots, like old film stock, also need to be developed. We live in a world of instant gratification, but the only trouble with instant gratification is that it takes too dang long. The same can be said for film plots. Today there are writers and directors who begin and end that process by throwing in some trending words and concepts from Google, and you have an instant plot that’s sure to bring in an audience. At least that’s what it appears happened with Crypto, directed by John Stalberg, Jr. What amazes me is that it took three writers to do the Google searches. Let’s see… you punch in crypto-currency, Russia, and corporate greed, throw it into your computer word processor, and out comes a script. Let’s call it, I know, Crypto. You have to have a mysterious-sounding one-word title.
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Let me begin by saying that I was a child of the 1970’s, which tends to make me approach these era shows with some caution. After such shows as That 70’s Show, to name the likely most popular, I find myself not recognizing the setting as the same 70’s I remember living. Granted I was pretty young, so the subject of swingers and sexual revolution were not exactly part of my everyday culture. So, I might be a little more forgiving if Swingtown doesn’t exactly hit on all of my memory circuits. I was 15 in 1976, living near Philadelphia, where we were all pretty much obsessed with that whole Bicentennial thing. The last thing on my mind was whether the neighbors, or, God forbid, my parents, were doing the bump and tickle with rotating partners. I’m pretty sure I’ll leave that question unanswered.
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