Before The Twilight Zone, Rod Serling had a fruitful career writing teleplays in the early 1950’s. One of his earliest successes, Patterns (1955), was aired on a program named Kraft Television Theatre. The popularity of the play was so enormous that a second encore performance was aired the same week of its release, and it was written as a feature film the following year. Given its impressive history and my love of Serling’s writing, I was really looking forward to watching the the film. However, I was surprised that I did not enjoy myself as much as I was expecting.
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Shonda Rhimes now has a fourth series running on ABC this past season. Joining Scandal, Grey’s Anatomy, and How To Get Away With Murder is the new series The Catch. The series is based on a series of novels by Kate Atkinson and was actually created by Jennifer Schuur. And while The Catch distinguishes itself rather nicely from the usual Rhimes formula, you can still expect the bed-jumping antics that Rhimes is so obsessed with. It’s the one thing that all four shows have in common. It doesn’t matter whether she’s a writer, creator, or just a producer; there’s never been an episode of a series with her name on it that doesn’t have plenty of sex. In this case it’s a sad distraction from what turned out to be a rather clever show.
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The title might be a bit misleading. Alicia is not so “good” these days. She’s tougher and more willing to make the hard choices. She’s more cutthroat in court and even when it comes to asserting her position in the firm and with her cheating husband. This is not the “stand by your man” show it might have appeared to be when it began. It’s evolved, and that only makes for better television. And now that it has finally come to an end, it’s easy to see that Alicia is now just as calculating and manipulative as her husband ever was. If the show was going to stay on the air, there might have been need for the title to change. Of course, I always took it as ironic anyway. Fans will have all the time in the world now to debate such subjects.
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“My name is Brian Finch. I was your average 28-year-old screw-up until I took a pill called NZT. Suddenly I had access to every brain cell. And that’s why the FBI hired me. There’s just one problem. The NZT will kill you unless you have this shot.”

Brian is a guy with a lot of dreams but no ambition to actually make them work. When we find him he’s pushing an album that he hasn’t even written the songs for. Hey, don’t we all? His friends and family nod understandingly, all knowing he’ll never get around to any of it. He likes to get stoned, and there goes any real ambition he might have actually had.
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Last Spring Eagle Vision released four discs that were collectively known as The Frank Sinatra Collection. But when a man’s been singing for nearly 70 years, you can’t hold a career like that on just four discs. There was always going to have to be more. The more has arrived in the shape of three more DVD’s brimming with Sinatra. This time there are 3 DVD’s to add to the growing collection. Each features performances, often from television specials. Each is a landmark even in Sinatra’s incredible career. Each will bring you back to that ol’ Blue Magic.
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This movie definitely gives credence to the saying, “keep it in the family,” given that it features the two leads falling in love. I know what you’re thinking: that’s nothing new. Almost every story in existence features a love story in one fashion or another. You are correct, but here’s the kicker: they are both married into the family; he to their deceased daughter and she to their cheating son. That should make things a bit awkward around the dinner table at the holidays.
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The setting for Gunsmoke was the by-now-famous Dodge City, circa 1870’s. Phrases like “get out of Dodge” would enter the popular lexicon as a result of this resilient series. Marshall Dillon (Arness) was charged with keeping the peace in Dodge City. The only other character to see the entire 20-year run was kindly Doc Adams (Stone). Star Trek’s own Doc, Leonard McCoy, took many of his traits from Doc Adams. He was the humanitarian of the city, always looking to help someone. Like McCoy, he had a taste for bourbon and a soft heart underneath a rather gruff exterior and was always ready with free advice. Dillon’s love interest throughout most of the series was Miss Kitty Russell (Blake).
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“The state of this country is the most precarious it has ever been. Not only are there more threats than ever before, but the majority of those threats don’t come from known organizations or extremist groups, but our own backyard. A neighbor you grew up next to, a one-night stand you had, perhaps even a family member. You applied here to protect your country from those threats. And while your ideals and your test scores might have gotten you here, they will not be enough to keep you here. The FBI academy is the toughest boot camp, hardest grad school rolled into one. It is not college. It is life and death.”

And that’s the setting of ABC’s new drama Quantico. But not quite so fast
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For over 15 years the CSI franchise has been a solid stable of programming for the Eye Network. The original show blasted through all initial expectations and lasted for 15 years. CSI: Miami went on for a decade, and CSI: New York for a little over five years. Now the original has bowed out of the game, and after 30 years of seasons, the franchise’s future hangs with newcomer CSI: Cyber. All dynasties eventually come to an end. Some pass quietly in the night. Others do so quite horribly. After watching the short 13 episode run of CSI: Cyber, I’m afraid it’s the latter path for a once-brilliant franchise. Catch it while you can, if you’re interested. While it will be back this fall, I do not anticipate a long life for a show that is CSI in name only. Now is your chance to decide for yourself.
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