I have a new opinion, newly formed, that Tyler Labine is underrated, because it goes without question that his performance was the crown jewel of Mountain Men, a story about two estranged brothers who find themselves without a vehicle, trapped in the winter wilderness, and must trek their way back to civilization. This movie features some of the quips and brotherly banter that I’ve seen all year. In fact, if it weren’t for the fact that the two look nothing alike, I would be inclined to be believe that they were actually related.
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“When we strike that match, we like to think we can control the burn. We like to think we have any control at all. But fire is wildly difficult to contain. And just when you think you’ve extinguished the blaze… it reignites. It sucks in air, and it burns hotter and brighter than ever.” 

Grey’s Anatomy has continued to surprise fans and critics alike. As far back as the seventh season there was strong talk that the show was drawing to an inevitable close. Since that time we have seen the end of the spinoff series Private Practice, which I always considered to be a better show.
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If you come to this DVD set in the hopes of discovering something to do with Jason or even his machete-wielding mama, you will be very disappointed. There is no Camp Crystal Lake, and no one’s wearing a hockey mask. The fact is that this series, syndicated from Canada, had absolutely nothing to do with the film franchise. They have no characters in common. They have no connection to the stories in the film franchise. Basically the name is the only thing they share. CBS has finally put together the entire series in one release.
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“I mean the guy’s abducted, like what, twice a year? I think that’s a tad above the national average.” 

After eight long seasons, the book on Richard Castle has finally come to a close. It started when Stana Katic decided that she was leaving the show after the eighth season. That did not spell doom for the show immediately, and honestly it shouldn’t have. It was obvious in the first couple of episodes that the powers that be were experimenting with a new look to the show, and I thought it was actually a pretty good idea. More on the new look later. The Beckett character is not essential to the success of the show, and it never was.
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NCIS: LA differs in several ways from NCIS or JAG. While LA is still a military show, that angle is downplayed here. The atmosphere for the team is more civilian-looking all the way around. There are seldom folks walking around in uniforms. The operations utilize more of the standard surveillance and undercover work. There’s a lot more street work to be found here. That means car chases and lots of shootouts. The cases often deal with terrorists, so these guys break a lot of the rules. They don’t let any silly Constitution stand in their way. The show is about to enter its eighth year. In this seven-season release, the show reaches its 150^th episode landmark. The franchise has passed 500.
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Things are really going to change over at Criminal Minds. Season 11 is going to be your last chance to see the team as it’s been for several years. I’d say it’s in for the biggest change since Mandy left early in the show’s run. Now two more of the show’s original actors will be leaving. One of the changes was totally planned. After 11 years on the series, Shemar Moore decided it was time to try something else. Derek’s exit is part of the show’s finale, and there’s room for him to return if he wishes. The second exit was not quite so planned. Thomas Gibson has had a history of violent outbursts on the series in the past. He’s been known to push people around…literally.
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I have seen an incredible number of independent horror films that are either shot in or around the woods. The setting makes sense for budget purposes: you are able to create a mysterious, brooding atmosphere for absolutely no cost. These films were produced even before The Blair Witch Project made the aesthetic popular in 1999. Even I hear the call of the woods as an amateur filmmaker, but I’m careful not to give into temptation and create a guaranteed flop just so that I can have a film set “in the woods.” I may seem pessimistic, but I have been disappointed by too many of these films to understand that it is not just being “in the woods” that makes the film. For these films to succeed, you need excellent writing and an unsettling/uncanny presence of which to be afraid. As is the case with The Interior.
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Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie, a contemporary BBC adaptation (Sherlock), and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern New York. We might be a long way from Doyle here, but the possibilities are very intriguing. This is the season that Elementary really finds its legs.
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It seems there is no end in sight for comic book properties being bought and turned into movies or television series. Lucifer is one of the newest additions getting the television treatment, and personally this was a title I was looking forward to.  With Tom Kapinos (Californication and Dawson’s Creek) at the helm, this seemed like it would be a good fit, though one thing did nag at me.  When you have a show called Lucifer, and it is about the devil taking a vacation on Earth, is standard television really the proper outlet for broadcast?  As a fan of Californication, I was excited to see what Kapinos would do with the material, and for the most part the show doesn’t disappoint.
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The First Monday in May is a documentary that traverses many worlds. It caters to mass culture but also explores the inner sanctums of high art. What is art? This is one of the questions the movie asks. In this case, it examines the ignored stepchild of high art, which is fashion and costume design. The Costume Institute of the Metropolitan Museum of Art languished in the basement for many years, never truly respected. Something called the Met Gala has changed all that. It is one of the most important social events of the New York City social scene. The invitation list is ruthlessly trimmed every year to only include the most glamorous and relevant celebrities.
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