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There have been nine Jesse Stone movies starring Tom Selleck. They come from a series of books written by Robert B. Parker. Parker is also famous for the Spencer For Hire series, which was a television show starring Robert Urich from 1985 to 1988. Parker also created a popular Sunny Randall series that was originally meant as a vehicle for Helen Hunt. Many modern writers such as Harlan Coben, Robert Crais and Dennis Lehane credit Parker for revitalizing and reinventing the detective genre. It has been a tried and true genre for over a hundred years. It is a beloved formula. The Hallmark Channel has been behind this series of movies with Selleck, who has had a career resurgence with the CBS series Blue Bloods.
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Broad City is about two 20-something ladies who don’t give a whoop whoop. They care so little that they don’t know they don’t care. On top of that, there is a motley collection of odd oddballs. That’s a problem, because these people have nothing but problems. Not that any of them care. And these ladies are like dudes so much that they say “dude” to each other. Our two ladies (I say ladies because I don’t want to say girls or women or other less complimentary appellations) are named Ilana Wexler and Abbi Abrams, played by Ilana Glazer and Abbi Jacobson. Glazer and Jacobson are creators, co-writers, and performers, and their involvement goes back to a web series they created before it was picked up by Comedy Central.
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“Where sin abounded, grace abounded much more.” Romans 5:20

The quote above imparts a spiritual message which I will get back to. First, I want to talk about one of the stars of this movie, David Oyelowo (pronounced “oh-yeh-lo-wo”). Oyelowo is best known for playing Martin Luther King in the film Selma. Oyelowo had previously racked up an impressive number of supporting roles in high-profile films like Jack Reacher, Interstellar, The Butler, The Paperboy, Lincoln, Rise of the Planet of the Apes, The Help, A Raisin in the Sun, and A Most Violent Year. In a short amount of time he has demonstrated that he is one of the most skilled actors working today.
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I previously reviewed season 4 of The Nanny, and now it’s time to review season 5. If you are interested in the overview on everything about The Nanny and season 4 in particular, then you will have to go back and look for that review. This all about season 5, which I might suggest is the climax of the 6-season series, for whatever that’s worth. The relationship between Fran Fine and Maxwell Sheffield had been on a slow burn for four seasons, but the time was coming for a reckoning. Will Fran’s persistence and patience pay off?  I don’t want to make this too dramatic, since The Nanny is probably one of the silliest sitcoms ever made, and that’s taking into consideration that there are hundreds and hundreds of silly sitcoms.
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Does anyone remember Full House? Of course you do. It was recently given a kind of reboot which is supposed to debut on Netflix in 2016. That’s pretty good for a show that debuted in 1987. It ended in 1995 with 192 episodes. That is a very successful run, and it launched the Olson twins as mega-moguls. The twins apparently no longer act, so they will not be in the reboot. I hear they are very, very rich ($300,000,000?). I also hear that Ashley might have Lyme disease, which is a long term ordeal and difficult to overcome. Apparently The Unauthorized Full House came about because Lifetime had success with The Unauthorized Saved by the Bell Story. I will say that I expected juicy dirt about the various cast members.
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Inside Amy Schumer is satire. The definition of satire is the use of irony, humor, exaggeration, or ridicule to expose and criticize people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues. Satire, frankly, is not always very funny. I don’t find Schumer terribly funny, but she can be at times. I do think she is spearheading discussions of numerous issues. So how you judge Schumer can depend on what you think is important. It can also depend on where you stand on the issues she brings attention to, or whether you might even be a target of her satire.
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I’ve reviewed Amy Schumer before she become a mini-phenomenon. She seemed a little desperate and cheesy, but now she is worshipped for being the cutting edge of comedy. I think the cutting edge of comedy is a little cheesy and desperate in general. I remember the first time I saw Amy was on the tail end of a Comedy Central roast of Charlie Sheen, and she was a self-described nobody at the time.  Not long after, Comedy Central decided to make her a somebody. Her show, Inside Amy Schumer, had many flashes of brilliance that were embedded in gross-out humor full of sex and gender issues. That is the heart of what makes Amy Schumer special.
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History is important, but there is a lot of it to keep track of. History, by its nature, is about things that are preserved and archived so they won’t be forgotten. In this case, we are looking at a little slice of the history of rock and roll. Is the history of rock and roll something that is important? I would argue that everything about the past is important. Not everyone cares, but some people care passionately about forgotten gems from the past. Everybody cares about something, and some people care about everything, but the further back in the past something goes, the more likely people won’t care at all.
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