Brent Lorentson

In 1998 following the release of Roland Emmerich’s version of Godzilla, the story would continue following some of the characters that we met in the film as well as a host of other characters and monsters.  With a 40-episode run coming out to about 14 hours of television, the DVD release of the series comes out at just the right time for those who need a temporary fix before seeing their favorite big green lizard splash across the big screen once again.
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Martial arts films are just about as done to death as the slasher film.  Just about every angle and direction that you can take with these films has been explored by now.  When it comes to the martial arts genre, seeing a student or son avenge their father or master is just about the motivation in most of these films, but audiences accept this  because what we are sitting down for is the action.  Seriously, how many people remember the plots of the old Jackie Chan or Jet Li films?  But go back even further to the core classics like The 36^th Chamber of Shaolin or Five Deadly Venoms; these films are all rooted in the spirit of revenge. 
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With all the zombie media out there have you ever thought what you would do if you found yourself in the middle of the zombie apocalypse?  It’s fun to discuss your plans for survival and clever weapons you may devise to battle the hordes of the undead.  But what would you do if a loved one was infected and became one of the undead? Would you be able to simply put them down so easily?  Or would you tend to them with the hope that somehow they could return and not be the flesh-eating monstrosity they’ve come to be?
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The summer camp horror genre seems to have been on the back burner for a while in my opinion.  Sleepaway Camp, Friday the 13^th, and The Burning are some of the classics I used to watch over and over when I was younger.  Camp Dread looks to revisit this old-school sub-genre and reboot it with a new twist; this time it’s using a backdrop of a reality show to get these unsuspecting campers together.  It’s not the most original approach to the genre, but what is most surprising is that Camp Dread actually holds up with the previous films and franchises I mentioned and could easily be seen as an unofficial sequel to any of them.
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On the heels of the reality TV Pentecostal preacher dying from a snakebite, Holy Ghost People delves into the dark side of religion and how those who believe can be corrupted and taken advantage of.  It’s not that the film is looking to exploit or demonize a religion or anyone’s beliefs, but instead it explores the people who have no problem using another’s beliefs and weaknesses to manipulate them.  Though the film takes place deep in the backwoods of the Appalachian mountains, it could just as easily be about a chapel just up the street; after all, faith and corruption are everywhere so long as there is someone eager to believe.
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Ever watch one of those reality shows and wonder what would happen if someone got killed, or what if one of the cast members turned out to be a psycho ax murderer?  Well, I’m not ashamed to say the thought has crossed my mind from time to time in hopes that it would make the season of Survivor mean a whole new thing with the stakes raised, and instead of a vote off you were literally cut out of the show.  Well, HazMat tackles this very notion of a reality show breaking from the script (come on, we all know by now reality shows are scripted) after the show’s participant gets the thirst for blood.
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It’s spring break, and you know what that means, college co-eds are taking a break from hitting the books and are up for getting into reckless debauchery, heavy drinking and plenty of things they hope their parents never find out about.  It’s not as though horror films ever need an excuse to make mincemeat of bikini-clad girls, and for fans of the genre, the more bikini clad girls the better.  Along with the pretty faces, though, we horror and gore hounds do enjoy a good story tacked on for good measure.
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Growing up, several of my favorite films were created by Tom Holland; in my eyes this guy is a legend.  He’s responsible for writing and directing Child’s Play and Fright Night, two 80’s classics that most know about, but he also penned Psycho 2, which I know I’m in the minority but I actually like more than Hitchcock’s. But Holland also wrote this other film Cloak and Dagger with Henry Thomas and Dabney Coleman that was released in 1984, and this was just one of several movies I would watch over and over again to the point I’m sure it drove my parents bonkers.
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SyFy Channel is at it again, a film about the near end of the world.  With the backlog of disaster films, you would imagine if there ever was an emergency and the world was on the cusp of massive destruction, thankfully there is a film out there to at least give us an outside-the-box theory of how to prevent the end.  After all it’s not as though NASA or the numerous geniuses working in labs in front of computers or telescopes would have any idea about what to do.  It’s always someone nestled in a small town no one has ever heard of, but this resident has the answers to everything.
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Joel and Ethan Coen have been churning out hits for decades.  From Raising Arizona to Fargo and No Country For Old Men as well as many cult hits in between, the Coen brothers have a unique voice that has led to their long success in the Hollywood system.  With their new release, the Coens delve into the Greenwich Village Folk scene in the winter of 1961.  It’s a time that most audiences (myself included) may not be very knowledgeable about. The Coens take on this niche genre of music and present an engaging tale about a struggling musician and his journey to find success in an industry that at the time had a deaf ear to Folk.
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The key to making any good romance work is that you have to be able to root for the couple, that no matter what these characters may face, you have to be on board and believe this cinematic love affair is meant to be.  In the case of Twice Born, I have to say it does such a good job at getting me to root for this couple that I want to punch the film in the face for what it puts them through.  Yes, you read that correctly.  This film managed to get me so wrapped up in the characters that I found myself cursing at the screen simply because what Gemma (Penelope Cruz) and Diego (Emile Hirsch) endure is heart-wrenching to the extremes
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