Jeremy Butler

A scary premise, but overall this quickly becomes a story about one family overcoming obstacles to find one another again. Heartwarming, granted; however, not very fear-inspiring. Earthfall features a global incident, which ultimately could mean the end of days. A meteor storm strikes the Earth, knocking it off its axis. Terrifying, right? Good foundation, but based on what I observed, clearly not the focal point of the story, which says to me that this story clearly did not have its priorities right.
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Secrets abound in this horror more akin to The Omen rather than Carrie as I had originally suspected. I tell you, that life lesson about not judging a book by its cover still rings true. On the horror scale it does not really have that bone-chilling effect, but it holds its own, and the young talent does make an impression. Kennedy Brice plays the titular character, a little girl with an active imagination, or at least that’s what the grown-ups tell themselves as strange incidents keep happening around her.
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“What an interesting girl.”

Four against one, hardly fair odds. Then again, that is how this group prefers it. Little do they know that their latest prey is much more than she appears. Abigail Breslin is every predator’s nightmare in this action thriller about a group of boys who like to lure unwitting girls into the woods to hunt for sport. This film had style, a bit of noir, making it difficult to the determine the time period it is meant to be portraying, but all the same, this was one of my favorites of movies I’ve reviewed this year.
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Fair warning, this comedy is much shorter than I was originally led to believe. The cover of this disc gives the deceitful impression that you audience will be treated to at least three performances and one host; however, as it turns out you must read the fine print, as this disc is merely Part 1. I am usually an advocate of the saying leave the people wanting more; however, that saying only applies when you have sufficiently hooked the audience, which this stand-up special fails to do, making the possibility of engaging in Part 2 very unlikely.
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Closer to the Moon has quite an intriguing premise behind it. Six people pull off a daylight bank car robbery in the highlight of the socialist era, which we all recognize as a time when crime was believed to be a capitalist byproduct. Mark Strong and Vera Farmiga headline the cast as two members of the convicted six who are scheduled for the crime; however, before they stand before the firing squad, they are ordered to star in a real-life film adaptation of their crime to serve as an educational video.
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Two strangers lost at sea. What to do? What to do? Well, in the case of The Surface, the thing to do is be suspicious of one another and stay on opposite ends of the boat. Or at least that is how we begin. As expected when there is nothing to do at sea and you are trapped, the only recourse is communication and to question the choices that brought you to this particular situation. Trust me, there is plenty of reflection in this tale of two strangers thrown together by circumstance and forced to work together to overcome physical obstacles as well as a few emotional ones.
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Good Kill is a term used by drone operators to signify whether ordinance have successfully hit the intended target however the term takes on some much more meaning. Ethan Hawke portrays a former jet pilot now transitioning into a position as a drone operator. Day in and day out, he surveillances areas from thousands of miles away periodically eliminating targets that would look to destroy American lives. However when his section is loaned out to the Central Intelligence Agency, the clear cut targets become less clear cut and both his personal and professional life begin to suffer as he struggles with the morality of what he does.
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Not really sure the title matches the film, but then perhaps there is a hidden significance that I’m not getting. Well, here is a real gritty tale about addiction told within the context of a love story. Animals follows a young couple that appears to be so deeply in love that they are willing to do anything for one another. In fact the only thing that seems to have the capacity to tear them apart is their shared drug addiction. This film really emphasizes the ideal that couples must have a shared interest. Sorry, that was my attempt at humor.
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What is the world coming to when the President is forced to rely on a preteen kid as his only means of protection? Or at least that is what I’d be wondering if I was Samuel L. Jackson in Big Game. In fact, if I was him, I’d probably fire my entire staff after this adventure. Crash-landed in Finland, the President finds himself alone and being hunted with his only ally being a young kid who is undertaking a traditional rite of passage. I have to say, despite the high stakes, the movie managed to keep things somewhat lighthearted, thereby allowing it to appeal to larger audience. Movie watchers are about to see SLJ in a completely different role as the President instead of his usual action-packed roles.
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“Life is a collection of moments. The idea is to have as many good ones as you can.”

Anton Yelchin’s reaction to the discovery of the existence of an actual block of time carved out for illicit affairs is probably one of the most comical moments of the film. To further explain, Yelchin’s character has a chance meeting with a beautiful older woman and after a few more scheduled meetings discovers that she is in fact married. The funny thing is the nonchalant way in which she reacts to the revelation, commenting that she told him that she was only available during the hours of 5:00 PM to 7:00 PM
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So do depravity and nobility go hand in hand? Well, that is how it seems to be in the Royals, the EW channel’s faux depiction of the English ruling family. The show does not gain any points for characters, as many of them are cliché archetypes: the unsure heir to the throne, the drug-addicted socialite daughter, the self-absorbed and media-obsessed mother, the depraved and jealous brother of the king, and the noble albeit naïve king. As I say none of these character types are new; but their depiction in this series did manage to pique my interest as well as push the boundaries of what is permitted on network cable.
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“You have the skills of a cop, and the constitution of a cold-blooded killer. What better combination can there be.”

There are clearly no heroes in this revenge tale, making it kind of hard to decide who to root for. If anything, it is bad versus slightly less bad. Dean Cain stars as Mason Danvers, a once-honest cop who gets himself locked up on to seek revenge against the criminal who murdered his wife. Revenge, now there is a subject that never gets old; however, in the case of Vendetta it is likely it will get old very fast. I had high hopes, as the premise had my interest, but the overall presentation was a lot less cerebral than I had hoped, coming off more cause-and-effect rather than cat-and-mouse.
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I’ve heard whispers about this series for quite some time but never really knew much about it. Given that Hallmark is not really a channel I frequent, I suppose not being knowledgeable about it is understandable. I was slightly confused when this disc came across my desk; I was sure if it was a television series or if it was a made-for-television special. Turns out it’s a series which follows a city girl from a prominent family that relocates to a small town and accepts a position as a schoolteacher. Upon her relocation, she catches the eye of a young Mountie. Now given that I’m coming in at the middle of the story, I’m going to ask the readers to bear with me as I get my bearings with this series.
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Petty crime and literature: makes you wonder how often the two coexist. In the case of Phantom Halo, the two coexist quite often and very successfully. The introduction of the literature through the guise of street theater sets the stage for the criminal activity and provides elegance to what would possible been a dull story. However, in my opinion, the two need one another to provide a compelling story. Though admittedly there are times when one aspect seems farfetched or pulls focus from the other, in the long run it is these two themes together that make the overall film exceptional.
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Jokesters takes a long time to get to the point. The plot is extremely long-winded to the point that I questioned if the long awaited gruesome stuff would ever come. More time was spent on the setup, specifically the wedding reception sequence, than on the actual climatic events of the movie. Some of the setup was entertaining but it didn’t take long before I was considering hitting the fast-forward button just to get to the good stuff. I wasn’t sure what to expect when I put the disc in, but it didn’t take long for me to put together all that was going to happen (well, maybe not all; don’t want to come off like a know-it-all).
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I have often wondered how blood feuds got started in the western times. The Hatfield and McCoy feud is the most legendary, of course, except before long how the whole ordeal started just became a bunch of he said/she said. In the case of Echoes of War, it turns out that the feud that is sparked between the McCluskeys and the Rileys began over a just cause; however, the battle was bit one-sided and slow-paced for my liking. Not the mention the film does a bit of a 360 on me that really turns me against the person I spent the entire movie sympathizing with.
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I’m really over parody movies, and this one is no exception. The cheesy dialog and recycled storylines from more popular movies fail to strike a chord with me. Is it just me, or does it seems like parodies are nothing more than the bullies of the film industry? Makes sense, right, seeing as their sole purpose is to poke fun at other movies with no originality or real substance to them. Well, in the case of Tooken, it appears that we have run out of movies to parody and are resorting to people. Well, not people per se, merely characters brought to life by the same actor; I won’t mention which actor. However, that part should not be that difficult for you to guess once we dive a little deeper.
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