Jeremy Butler

“Let me tell you what it’s going to be like. Irish girl, English jail. Every time you want to see your boy, every time he wants to see you, his grandma’s gonna have to load him onto the ferry and drive 400 miles. It’s gonna break his f***in heart.”

Which is stronger, the bonds of family loyalty or self-preservation? That is the question that is presented in Shadow Dancer, the espionage thriller starring Clive Owen and Andrea Riseborough. I had high hopes for this film when I picked it up; I was expecting an unpredictable and suspenseful thriller that I would not be able to take my eyes away from. What I got was…well let’s just say I had no trouble prying my eyes away.
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“The bullies tried to make us feel small; in a weird way it did just the opposite. I wasn’t afraid anymore, and Howie wasn’t alone. God has a way of giving you what you need when times get tough.”

Traditions die hard, but not all traditions are good traditions. Such is the case in Standing Up, D.J. Caruso (I AM NUMBER FOUR) tale based on the novel The Goats by Brock Cole. The film focuses on a subject that has been receiving more and more attention as the problem continues to grow: bullying.
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Sigourney Weaver running for the presidency? Come on, I can’t be the only one who saw that coming. No, no just joking; Mrs. Weaver herself is not running for president, but she played someone who did on TV. I am of course referring to the USA Network miniseries Political Animals, where she stars as Elaine Barrish, the former First Lady and current Secretary of State. Filled with crisis after crisis, scandal after scandal, the six-part miniseries delves into the personal and professional lives of its characters, leaving no stone unturned and no secret untouched.
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“Everything you’ve heard… about monsters, about nightmares, legends whispered around campfires. All the stories are true.”

Has anyone notice the fire sale that has been going on among film studios and young adult novels? Since Twilight neared its end (and before), the market is has become flooded in recent years with adaptation after adaptation, and it doesn’t appear to be slowing down anytime soon, especially with announcements of plans to adapt novels like Divergent, Ender’s Game, and Vampire Academy; everyone is looking for the next big phenomenon to fill the void left by Twilight. If there was a series that could accomplish that goal, The Mortal Instruments: City of Bones was the one that had my vote.
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What an accurate title for this stand-up, “Whelmed But Not Overly.” The title of the stand-up resonates with me the most because it perfectly reflects my opinion of Nealon’s stand-up. I think that is reasonable to say that by now everyone has an idea of who Kevin Nealon is; you may not know him by name, but my guess is if he were to show up on your TV screen you’d go, “Hey I know him from somewhere.” For most, it would be that you recognize him from his tenure on Saturday Night Live, or as the corky resident funny man on the Showtime series Weeds, or perhaps in the background of a couple of your favorite Adam Sandler films.
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Has anyone ever wondered what The Breakfast Club would have been like if it had zombies? I know I haven’t. Well, despite no desire to see such a thing, Detention of the Dead is here to showcase just that. Take a cast full of the supporting cast members from popular television series and movies from the 2010 generation such as Glee, Twilight, and Greek, give them a script litter with made up words designed to be funny (and failing miserably in the attempt), and you have a project that makes you feel like you are trapped in detention.
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Burned, Recruited, Coerced, Betrayed, and Framed; in the past five seasons of Burn Notice, Michael Westen has been all of these things. The constant fluctuation in his ever-changing status is enough to drive a person mad, but through it all Michael has managed to stay level-headed and remain confident that he would find a way out. That confidence in his abilities is no doubt sustained by the support of his eternally loyal love, Fiona Glenanne. Fiona is Michael’s anchor; she keeps him centered, and as evident in last season when Fiona was framed for a bombing by Anson, Michael will go to any extreme to keep her safe;
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Ever notice when an actor is having a good year, suddenly a film that they made years before their success makes an appearance? I refer to this movie as “the bandwagon film.” It is film that is shelved and does not have a prayer of being released. It happens too often for it to be coincidence and usually features said actor center stage on the cover art with the mention of the popular film that the actor took part in. Take Christian Bale for example: not long after the release of Batman Begins, a low-level film by the name of Harsh Times came to theaters. In the case of Dead Mine, that actor would be Joe Taslim
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If I had to sum up Last Kind Words in one word, I’m afraid that word would be “forgettable”. Harsh, I know, but that is but the most fitting because the movie failed to leave a lasting impression. I don’t need much to find a movie entertaining: A steady storyline, interesting characters, and good dialog; my issue with Last Kind Words has to do with my uncertainty about the kind of film it was intended to be.
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“An affair born in betrayal will end in ashes.”

And a movie starring Lindsay Lohan and Grant Bowler depicting Hollywood’s most controversial and scandalous couple will share the same fate. Liz & Dick tells the love story of two-time Academy Award winning actress Elizabeth Taylor and respected theater actor turned leading man Richard Burton, documenting from their first meeting to Burton’s death in 1984. The key element to love stories, especially biographical love stories, is casting two people that will have chemistry
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