Jeremy Butler

Never underestimate the power of the internet and the sociopathic tendency of college kids; the truest statement I can make about horror flick Smiley. Only college kids would hear a story about a would-be killer who could be summoned by repeating a certain phrase three times (I will not say the phrase simply due to that fact that I am a bit superstitious). Now, what if you knew that cost of summoning this murder was that the person you directed the phrase to would be killed; would you summon him? Well, I’m sure you already know the answer to the question.
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The Love Section is not a very grabbing title if you ask me, but to each his own I suppose. The new film is the latest product coming out of One Village Entertainment; the film does have some things going for it: an absolutely gorgeous leading lady (hubba hubba), a unique pairing of leads, and a very funny supporting character. However, the plot is not swimming in uncharted waters. Ali (Lawrence B. Adisa, Grindin) is a 32-year-old real estate agent and a ladies’ man, bouncing from woman to woman with very little desire for a permanent commitment.
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A mouthful of a title but still quite a unique and clever title, if only the movie was that interesting. Is it just me, or does it seem like a parody film is worthless unless the Wayans family is making it? From Craig Moss, the guy that brought you The 41 year old Virgin Who Knocked up Sarah Marshall and Felt Superbad about it comes another pointless parody with no sense of direction. Parody films reached as far back as the 1940’s with Abbott and Costello;
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Well, it’s not the Marvel version, but it’s still mildly entertaining. A clear attempt to capitalize on the popularity made by the Hemsworth live-action films about the hammer-wielding Norse God of Thunder and Lightning, but hey, isn’t that what filmmaking is all about, making something the audience will actually pay attention to? This time Thor is surrounded by an animated family-friendly shell. Well, though I am much older than this film’s targeted demographic, I still feel that I can objectively say: there are worst ways to kill 90 minutes. Trust me, I know.
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The first time I really observed George Lopez was during his sitcom on ABC, The George Lopez Show. After that first episode, I was hooked and watched every episode religiously up until the departure of Masiela Lusha (the new storylines and the introduction of Aimee Garcia as Lusha’s  replacement caused the show to lose much of its original  appeal). From there I transitioned to his standups specials and his big screen movie appearances. If he was in it, I was there.
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Just as I was starting to believe that the vampire movie genre was bankrupt of originality, I am gifted with a film unlike any other vampire film I’ve ever seen. Don’t you just love when that happens? I’m not going to pretend that I didn’t have reservations about this movie going in, especially with it being a sequel to The Hamiltons, a film I had not seen nor heard of before this film made it onto my docket. However all of my reservations subsided within fifteen minutes of pressing the play button. With a title like “The Thompsons” I was expecting it to be nothing more than vamp ripoff of Rob Zombie’s The Devil’s Rejects, but this film has heart along with the appropriate amount of blood and gore to keep it from becoming too sappy.
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“78% of all professional football players are divorced, bankrupt, or unemployed two years after leaving the game.”

Now here’s a movie with quality subject matter. A film that addresses the consequences athletes face when they live for today’s instead of tomorrow’s satisfaction. Of course it is wrapped up in the bow of a romance theme, but the principle still holds. The idea of the two plots at first may be perceived as bad mixture like oil and water; however, after watching the two will be viewed more complementary like vanilla and chocolate swirl.
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“Have you ever thought for maybe a second that — that this is it? I mean people that sit at the same desk every day for eight to ten hours a day and then they sleep for nine hours day, and then they truly live their life for maybe I don’t know, five hours at the most. I bet those people would love being here.”

This movie caught me off guard like a right hook to the face, which coincidently is something the main character experiences himself. A directorial debut for Ryan O’Nan (he also wrote and starred), Brooklyn Brothers is an indie film that I had reservations about the moment I picked it up, and yet there was still something that intrigued me about it.
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“I like to remind you all what this competition is about. It is about excellence in butter.”

It’s trophy wife vs. Little Orphan Annie in this dysfunctional dark comedy about America’s leading cause of high cholesterol. Equipped with an impressive cast of Hollywood’s elite, Butter does it’s best to entertain; however, the collaborative efforts of Jennifer Garner, Hugh Jackman, Olivia Wilde, and Ty Burrell may not be enough to boost a lot of the more subtle comedy of the film; I know it wasn’t enough for me.
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Yes, the found footage technique: the first person narrative technique designed to give the audience the impression of the film being pieced together from a series of video recordings usually left behind by characters now believed dead. The technique existed before but became internationally popular when the film The Blair Witch Project was released. In recent years, the technique has been used more and more with such films Paranormal Activity and Chronicle; these are examples of when the found footage technique works; well, you can add V/H/S to that list.
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“Sometimes it’s better not to touch your dreams, take it from someone who knows.”

What a difference three years makes. That’s right, the beloved series decides to return with a flash forward three years ahead, giving the series a new and fresh outlook with some new faces and a few familiar ones as well. The time may have changed, but thankfully Hank Moody sure hasn’t, still managing to get himself in all kinds of trouble despite his best intentions. This year he must deal with an unstable ex-girlfriend, his daughter’s philandering boyfriend, and keeping his extremely volatile new client from finding about the tryst he had with the client’s girlfriend; it can only happen to Hank Moody.
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“Through the good times and the bad, you were the best I never had.”

Who became successful? Who completely changed? Who stayed the same? For all the questions that are asked at every 10 year high school reunion, 10 Years is dedicated to you. Equipped with a stellar cast of Hollywood’s next generation elite: Channing Tatum, Justin Long, Rosario Dawson, Kate Mara, Brian Geraghty, Ari Graynor, Kate Mara, Oscar Isaac, and the list goes on.
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Think 28 days later set in 1945 with Nazis, or at least that was my first interpretation of Outpost: Black Sun. Considering how relatable it seems to that film, and being a huge fan of the Danny Boyle series, I really wanted to like Outpost. In reality, however, it took multiple viewings of the beginning for me to grasp the plot of the movie. Now I believe myself to by a fairly intelligent guy, so the idea of having to watch the beginning of a film more than once to comprehend the plot is enough to make me write a movie off. However, once I made it out of my cloud of confusion, something happened…it got interesting.
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“Killing is easy. High school is hard.”

Granted that it’s generally not really a good idea to endorse a series that advertises the idea of high school assassin (especially something that uses the quote seen above), but when it is done as well as Aim High, you sort of have to roll with it. A web series equipped with comedy, stunts, and a little bit of teenage melodrama, Aim High does in a fraction of the time what so many television shows failed to do…entertain.
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“Hold up! Wait a minute! Let me put some Brown in it.”

With this DVD I learned a valuable lesson (several actually), about not judging a book by its cover. Around the time it was announced that this show would premiere on TBS, I was in the middle of watching Tyler Perry’s first series on TBS, House of Payne. Assuming that Meet the Browns would nothing more than a variation on what House of Payne was, I ignored this show.
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Is it “absence makes the heart grow fonder” or “out of sight, out of mind”? That is the principle question of Tyler’s Perry’s newest stage creation, I Don’t Want To Do Wrong. As usual Tyler Perry continues to demonstrate his mastery of wearing multiple hats, acting as writer, director, and producer. It only requires watching this play a quarter of the way through before realizing that in the world of stage work, Perry has no equal. Balancing comedy, spirituality, and an important message, there’s no wonder why Tyler Perry has become the king of playwrights.
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