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“For the first time in four years, I can say what I really think.”

It may have taken four years for fictional U.S. Vice President Selina Meyer to make her boldest political move yet, but Veep was finally able to achieve all-around greatness in just three. I know there are fans of HBO’s caustic comedy series who would argue the show was already great, and I agree there have absolutely been many flashes of foul-mouthed brilliance throughout its run. But it wasn’t until Veep had Selina Meyer try to outgrow the show’s title in season 3 that the series itself ascended to another level.
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“There’s money flying all over Silicon Valley, but none of it ever seems to hit us.”

There’s a lot to like about HBO’s Silicon Valley, which debuted last year with a confident, clever freshman season that took merciless aim the tech capital of the U.S. My favorite thing about the show — besides hyper-specific jokes aimed at geeky targets like the many endings of “Mass Effect 3” — is that it portrays (and makes fun of) each aspect of the cutthroat tech industry, from the self-important, aggressively eccentric billionaires to the scrappy, proverbial guys in a garage.
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“Writers are a ridiculous class of people who make everything about themselves.”

For many, the current face — and oft-naked body — of “writers who make everything about themselves” is Lena Dunham, the creator/star/writer/director of HBO’s Girls. The equal-parts brilliant and maddening quarter-life crisis comedy became one of the most polarizing shows on TV over its first two seasons, as self-involved heroine Hannah Horvath sought love and a career as a writer in NYC. At the start of season 3, Hannah has both of those things…which is why I’m astounded — and, frankly, pretty impressed — that she remains as egotistical as ever.
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“It’s noble work. It is useful. You are angels of mercy…I just never thought that I would end up here.”

The geriatric care wing of a hospital — where the employees are undermanned and overworked, and many of the patients are in a near-catatonic state — is not the most obvious sitcom setting. As a result, HBO’s comedy series Getting On isn’t exactly what I’d call a gut buster. But even though much of the humor seems hyper-specific to this particular circle of workplace hell, anybody who has ever been underpaid to do a hard, crappy job should be able to relate.
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