Jeremy Butler

Burned, Recruited, Coerced, Betrayed, and Framed; in the past five seasons of Burn Notice, Michael Westen has been all of these things. The constant fluctuation in his ever-changing status is enough to drive a person mad, but through it all Michael has managed to stay level-headed and remain confident that he would find a way out. That confidence in his abilities is no doubt sustained by the support of his eternally loyal love, Fiona Glenanne. Fiona is Michael’s anchor; she keeps him centered, and as evident in last season when Fiona was framed for a bombing by Anson, Michael will go to any extreme to keep her safe;
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Ever notice when an actor is having a good year, suddenly a film that they made years before their success makes an appearance? I refer to this movie as “the bandwagon film.” It is film that is shelved and does not have a prayer of being released. It happens too often for it to be coincidence and usually features said actor center stage on the cover art with the mention of the popular film that the actor took part in. Take Christian Bale for example: not long after the release of Batman Begins, a low-level film by the name of Harsh Times came to theaters. In the case of Dead Mine, that actor would be Joe Taslim
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If I had to sum up Last Kind Words in one word, I’m afraid that word would be “forgettable”. Harsh, I know, but that is but the most fitting because the movie failed to leave a lasting impression. I don’t need much to find a movie entertaining: A steady storyline, interesting characters, and good dialog; my issue with Last Kind Words has to do with my uncertainty about the kind of film it was intended to be.
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“An affair born in betrayal will end in ashes.”

And a movie starring Lindsay Lohan and Grant Bowler depicting Hollywood’s most controversial and scandalous couple will share the same fate. Liz & Dick tells the love story of two-time Academy Award winning actress Elizabeth Taylor and respected theater actor turned leading man Richard Burton, documenting from their first meeting to Burton’s death in 1984. The key element to love stories, especially biographical love stories, is casting two people that will have chemistry
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 “Season of the equinox, the witch besets her kill; one last soul, the town to know taken against their will.”

I’m not the type that scares easy, and I’m not overly superstitious. But when it comes to urban legends, I know there are a few things I never intend to do: I never intend to say “Bloody Mary” three times in the bathroom mirror, I never intend to mix Pop Rocks and Coke, and, if there is a legend about a witch that will come after you if you break one of windows of her house, guess what? I won’t be picking up a rock.
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“Some people are lucky enough to find their true passions. That’s okay, because their passion makes them feel like somebody. Sometimes it’s the only thing that keeps them moving. I know some people don’t get mine. My passion is jumping rope…competitively, but I like it.”

Growing up I can remember a desire to tie my parents up; did anyone else share that desire? Don’t get me wrong, this desire was not meant with malicious intent, but to simply grasp the full attention of my parents.
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Things needed to survive a zombie apocalypse: a secure location to hole up in, water (lots of water), canned goods, a hatchet, and a high-powered rifle (preferably with a scope). Luckily for Jim, the main character of State of Emergency, all these things just happen to fall into his lap. Produced by the Clay Brothers (Haven’t heard of them? That’s okay, neither have I.), State of Emergency is their second feature film, and though it ultimately shows promise, it could have been better with a few tweaks.
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“Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.”

Never question the importance that a title plays in the success of a film. The title is the first thing that you encounter when discovering a new movie. Let me set the scene: you are at home, bored and looking for a movie to watch so you go to a Redbox kiosk or log onto your Netflix (given that video stores are close to extinct at this point); you narrow your selection down to two titles.
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It is truly amazing the career that Tom Green has had when you really sit back and think about it. Tom has made a career as an oddball whose antics would either make you laugh hysterically or raise a brow with suspicion of his mental state. His personality has taken him to many heights, from a Canadian Public Access show to MTV, MTV to the silver screen, but it wasn’t until he got in front of the camera and documented his battle with testicular cancer that many people would stand up and take notice of Hollywood’s strangest man.
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Timing is everything in life; being in the right place at the right time could mean great fortune. Of course the other side of that coin is that being in the wrong place at the wrong time could mean great misfortune; want to guess on which side the coin landed in Stand Off? (Hopefully you guessed misfortune; otherwise stop reading now.) Brendan Fraser leads the comedy about a botched robbery which eventually transformed to an even bigger mess. I’ve been a Brendan Fraser fan dating all the way back to Encino Man, and I was especially excited when he achieved action hero status with the The Mummy franchise
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“They cry, they plead, they beg, they piss themselves, they cry for their mothers. It gets embarrassing. I like to kill ‘em softly. From a distance.”

Brad Pitt demonstrates that very well during one of his execution scenes. Killing Them Softly is director Andrew Dominik’s adaptation of the 1974 novel, Cogan’s Trade by George V. Higgnins. This film is Dominik’s third go-around serving as both writer and director (the other two times being Chopper and The Assassination of Jesse James), and I must say that he seems at home with double the amount of work.
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Well, would you look at that: the sidekicks from previous popular primetime series after each of their shows have ended, banded together to form their own television series. Though it is not uncommon for the supporting cast of a TV show to try to break out on their own either right before or right after their former show receives the axe, it is rare that said show makes it through its first season, let alone gets renewed for a second season; the exception being Men At Work (not to be confused with the film by the same name starring the Sheen family, with which it shares no relation as far as I can tell).
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