Posts by J C

The story is the star in Freeheld, which chronicles a same-sex couple's fight for equality. The film is based on the Oscar-winning documentary short of the same name and follows Laurel Hester, a New Jersey cop with terminal lung cancer, as she attempts to pass her pension benefits to domestic partner Stacie Andree. Despite being a modest production, Freeheld was able to enlist some top-drawer acting talent. Unfortunately, it also attracted a risk-averse team of filmmakers who tell Laurel and Stacie's story in a thoroughly rote and uninspired manner.

The movie begins in 2002 with Laurel (Julianne Moore) bailing her partner Dane (Michael Shannon) out of a jam during a sting operation. This opening is meant to illustrate that Laurel is an exceedingly capable police officer, but the clumsily-staged sequence has the unfortunate side effect of shining a light on director Peter Sollett's limitations. (Same goes for a subsequent storyline involving a double homicide that is equally clunky.) Laurel is also a lesbian who worries about someone at her job finding out about her sexual orientation, so she drives to Pennsylvania to take part in social activities. That's where she meets Stacie (Ellen Page), a younger woman who sparks Laurel's interest.

Our final fight didn’t go as planned. But one thing was clear…this would be the bloodiest battle yet.”

TNT's post-apocalyptic, alien invasion war drama has never been short on casualties. So hearing that the last episodes in the show's run would result in even more losses — human and otherwise — wasn't exactly a shock. Following a fairly ludicrous cliffhanger, the final season starts off quite promisingly before falling back on some bad habits. Unfortunately, it all culminates with a semi-disastrous series finale.

- “Justice is not about popularity…”

- “…but politics is.”

Happy, Grumpy, Sleepy, and Dopey…these are just a few of the words I would use to describe my mood over the last couple of months as I bought and moved into my first house. More importantly — and much more famously — those are, of course, a few of the iconic title characters in Snow White and the Seven Dwarfs, which gets a shiny new “Signature Collection” Blu-ray from Disney this week. Cinedigm boards Noah’s Ark, regales us with Extraordinary Tales, and visits Meadowland. Hallmark accepts us For Better or For Worse, and hounds My Boyfriends’ Dogs. HBO comes to the rescue with Show Me a Hero, while Warner Bros. reintroduces us to The Man From U.N.C.L.E.: Season 2 and goes out of this world with Falling Skies: Season 5.

Dreamworks crosses a Bridge of Spies, and Entertainment One pulls an all-nighter with From Dusk Till Dawn: Season 2. Lionsgate charts the Rise of the Krays, battles in a Fight to the Finish, advocates in Freeheld, and breaks the curse of The Last Witch Hunter. Sony cuts to the chase with The Lizzie Borden Chronicles, while RLJ Entertainment celebrates All Hallows’ Eve 2, and lays eyes on The Sin Seer.

My first All Hallows' Eve experience was an unexpected fright delight. The 2013 horror film featured a trio of stories tied together by a creepy clown and a familiar “babysitter-in-peril” plot line; it was a fun, unsettling, and grungy throwback to low-budget scares. So you can't blame me for actually being pretty excited when I found out they'd made another one. Unfortunately, this sequel is a disappointing, thoroughly unsatisfying mish-mash that undoes practically everything that was good about its predecessor.

Things start out familiarly enough: a lonely woman (Andrea Monier) who conveniently owns a VCR find herself in possession of a ratty-looking videotape. The first film had a babysitter find the tape among her two young charges' trick or treat haul, and the action was tied together by Art the Clown, who brought back unpleasant memories of the first time I can remember being terrified. This time around, the woman is stalked by a pumpkin-masked, knife-wielding Trickster (Damien Monier) who deposits the tape at the woman's doorstep. Naturally, she pops it into her VCR and away we go.

Being a woman's hard work.”

Femininity — the quality and essence of being a woman — is at the forefront of The New Girlfriend, a gender-bending and genre-bending offering from French director Francois Ozon. The film is a curious mix of farce, rom-com hijinks, frank sexuality, and serious drama about loss. The formula isn't always cohesive, but it makes for an intriguing twist on the old “boy meets girl” story.

After a *very* welcome vacation last week, I’m off the cruise ship and happy to be back at the UpcomingDiscs ranch. (Although I kinda miss the part where I got to eat all the time and someone else made my bed.) Speaking of returns, Jack’s Back thanks to Shout! Factory, which also takes the good and takes the bad with The Facts of Life: Season 8. Cohen Media Group moves on with The New Girlfriend, Warner Bros. takes Forever: The Complete Series, and Sony finds Jesse Stone: Lost in Paradise. Finally, Anchor Bay decodes Da Vinci’s Demons: Season 3.

This Round Up post is also your last chance to win our January giveaway. Once a month we’re going to give away a surprise DVD title from our archives to a lucky winner who comments in our weekly Round-Up posts. All you have to do is comment in a Round-Up post — like this one! — and tell us which of the featured titles you’re most curious to read about. (Quick reminder: You're not telling us which title you'd like to win; your free DVD will be a surprise.)

In our experience, almost everything ends in death.”

Given its morbid-sounding title, I suppose you can also say that in the case of Rosencrantz & Guildenstern Are Dead, things *start* in death as well. The inevitability of death — a notion that is simultaneously profound and crushingly simple — is one of several big picture ideas explored by the small potatoes title characters. Rosencrantz & Guildenstern Are Dead, now making its Blu-ray debut, is equal parts brilliant and befuddling. But as thought-provoking and exhilarating (and funny!) as the exchanges are, I'm not entirely sure this material was meant to be presented as a movie.

- “After all your posturing, all your little speeches, you're nothing but a common thief.”

- “I am an exceptional thief…”

Yak: The Giant King is a 2012 animated offering from Thailand. It is based on Ramakien, the country’s version of a famous Hindu epic poem. Neither of those facts is readily apparent in the packaging and presentation of The Giant King, an American adaptation that was recently released on DVD. On the one hand, it helps explain why the dialogue here hardly ever matches the characters’ lip movements. But knowing that this crude, chintzy offering is actually based on something rather substantial makes it even more of a letdown.

The movie is set in a world populated by robots and overseen by a spacebound/godlike entity called RAM (Remote Automated Motherbot). The imposing-looking Zork (voice of Russell Peters) is meant to be a violent battle bot, but his real dream is…to be a kindergarten teacher. Pinky (Bella Thorne) appears to be Zork’s polar opposite, a hard-charging pipsqueak obsessed with bringing Zork down for not obeying RAM.  An epic clash between Zork and Pinky ends with the odd couple chained to each other and wandering the barren planet.