The Reel World

“You can’t get rid of me that easy.”

Elise Rainier was the only casualty in 2010’s Insidious, but the character has proven to be impossible to kill. In fact, Lin Shaye’s sympathetic psychic quickly evolved into the main character of this low-budget, high-box office horror franchise. Chapter 2 brought her back in spectral form, while Chapter 3 went back in time to show us an earlier run-in with a restless demon. The Last Key goes even further back in time while simultaneously inching closer to the first film. While the series has pretty much run out of interesting ways to scare audiences, this film does explore the connection between real-life monsters and malevolent spirits.
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“The worst thing that can happen to you in sports is fourth place at the Olympics. Seriously……f$*& you.”

So I only had a vague knowledge of the name Molly Bloom when I initially heard about this movie. Basically, I knew that she used to organize poker games for celebrities and masters of industry. I even recall hearing about her getting into legal trouble, but the specifics regarding her situation escaped me. I imagine that was the case for many people that don’t closely follow the tabloids. Molly’s Game, the film based on the experience, sheds a great deal of light onto her legal trouble as well as providing an in-depth look into the titular character herself. Narrated by Jessica Chastain, who also stars as Molly Bloom
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I suspect that at about this time last year too few Americans knew anything about Dunkirk and the pivotal role it played in the early moments of World War II. In July Christopher Nolan brought his 70mm cameras out to play and we relived the courageous evacuation of over 300,000 British soldiers from their surrounded position just across The English Channel. Dunkirk was an incredible film that will likely take away some Oscars for the year. But what Nolan’s spectacle failed to demonstrate was the reason for all of that action. Why were civilian vessels picking up these soldiers? Those questions are answered in Darkest Hour. I suspect that this film might be sharing some of the stage come Oscar night. e two films appeared less than 6 months apart in the cinemas but they make extraordinary companion films. As movie-goers we couldn’t have asked for a better one-two punch on a subject a lot of people have been learning more about just by going to the movies.
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“You may think, “That thing looks human.” Stands on two legs, right? But – we’re created in the Lord’s image. You don’t think that’s what the Lord looks like, do you?”

A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated and that would be a bit of a shame no matter what it looked like
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“A long time ago in a galaxy far far away…”

It was exactly 40 years ago that we first saw those words flash across the screen. Star Wars was born, and it has become one of the most enduring franchises in film history. The franchise survived a long drought when it didn’t seem likely we would ever see those words again. The franchise survived the throes of George Lucas, who created it all and then went a little rogue when he finally did follow up his iconic trilogy. If The Last Jedi and the two previous films are any measurement at all, the best thing George Lucas ever did for the universe he created was to give it up.
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“Wish we could just make our own movie.”

I have more than 800 reviews to my name on this site, and I’ve probably watched several thousand movies overall throughout the course of my life. A lot of them are bad. Some are even worse than The Room, which has been dubbed “the Citizen Kane of bad movies.” However, I’ve never seen a movie that is bad in the way The Room is bad. It seems a substantial chunk of Hollywood — led by star/filmmaker James Franco — feels the same way. The creation of The Room is chronicled in The Disaster Artist, but there’s more here than just an anatomy of a trainwreck. The film also works as an ode to underdog Hollywood dreamers who take a DIY approach to (accidental) stardom.
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A great assembling of actors, excellent control by director Martin McDonagh and a vicious script make Three Billboards Outside Ebbing, Missouri a winner. The crime drama, laced with cynical comedy, puts the film up there with the movie Fargo and even TV’s Fargo.  While I may like the film, it does have some racist tones that may offend. That said, McDonagh has a penchant for turning the tables on the offensive comments and actions, and here he does it big time.
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“Sometimes I think I’m cursed.”

Up until recently, Pixar Animation Studios had a pretty spotless reputation. (At least when it came to the quality of their films.) But while the studio’s last three efforts (Cars 3, Finding Dory, The Good Dinosaur) have been financially successful, Disney’s own in-house animation studio (Moana, Zootopia, Big Hero 6) has been out Pixar-ing Pixar in terms of delivering creative, crowd-pleasing blockbusters for all ages. (I didn’t even mention a little movie called Frozen.) That’s why I’m pleased to report that Coco — Pixar’s moving, colorful and exhilarating take on Mexico’s Day of the Dead holiday — is a thrilling return to form.
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It is very likely that no story has been retold in films and television more than A Christmas Carol. It has been made as animated specials and computer-generated features. There have been comedy versions. Most television shows, if they’re around long enough, get around to spoofing at least the themes. If by now you’re wondering what the dickens I’m going on about, well… you’re correct. It’s all about classic author Charles Dickens, who literally invented many of the modern trappings of our Christmas celebrations with that one little holiday ghost story. You know the story. But do you know how it came to be? Dickens’ writing process is legend to those of us who know his work intimately. Now everyone can get the inside scoop with the charming The Man Who Invented Christmas.
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Last Flag Flying was adapted from a book by Darryl Ponicscan which is a sequel to his The Last Detail. That book was adapted for the screen in 1973 and starred Jack Nicholson, Otis Young, and Randy Quaid and was directed by Hal Ashby for Columbia Pictures. In The Last Detail we find two characters taking Randy Quaid’s character to the Navy prison for stealing $40 from the CO’s wife’s favorite charity drive. Along the way they all bonded a bit, and the film played out as a statement, of sorts, to the Vietnam era we were just finally about to put behind us in a year. Last Flag Flying is based on the written sequel but is not exactly a true sequel to the earlier film.
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“I wish I could live through something.”

Actress Greta Gerwig finds herself in the director’s seat for her first feature film, Lady Bird. No, it’s not a film about the First Lady during the Johnson administration. It’s an easy mistake to make. It’s not one of the most common monikers out there, and when I first heard of the project, that’s where my mind went. This is actually a warm coming-of-age story that feels very much like an autobiographic effort by Gerwig. There are certainly some common elements in the story and Gerwig’s own past, even if it’s just the Sacramento, California locations that give the film a nice anchor and rather immersive environment for the story.
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Touching and inspirational, the movie Wonder opens the eyes of its audience to the medical anomaly of Treacher Collins Syndrome.  It’s a gene glitch that causes a facial difference that happens in one of 50,000 people*.  Based on a book by R. J. Palacio, the film handles the material in the novel in such a way that one cannot help but fall in love with a boy with TCS named Auggie Pullman.  The movie becomes an inspiration to all children and a force behind anti-bullying.
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“We have to be ready. You, me, the others… there’s an attack coming from far away.”

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes.
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“We are all in the gutter, but some of us are looking at the stars.”

Going to see Wonderstruck is like going to see two movies at the same time. It’s a rather clever narrative that tells somewhat parallel stories from two different ages. There is a story that happens in Minnesota in 1977, while the other takes place in 1929 New Jersey. It isn’t hard to know which period you happen to be in, because they are filmed with distinct styles that match the environments of each time and place. The film is often beautiful to look at.
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I have to start by talking about the mustache. You’ve probably already seen the outrageous facial hair Kenneth Branagh rocks as Hercules Poirot, the brilliant Belgian detective who appeared in 33 Agatha Christie novels (including 1934’s “Murder on the Orient Express”). But it is truly a sight to behold on the big screen! Up close, it looks like a fake, ridiculously twirly mustache has been layered on top of an even longer fake, ridiculously twirly mustache. I bring this up because the two things that truly separate this sumptuous, all-star take on Poirot’s most famous case from previous (and superior) adaptations are the film’s eye-popping production values and…well, Branagh’s mustache.
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“Maybe it’s all psychological.”

The Killing of a Sacred Deer takes its title from the tragedy “Iphigenia at Aulis” by the Greek dramatist Euripides. I’ve published more than 800 reviews for this site, and that’s almost definitely the most pretentious opening line I’ve ever written. That might sound like an insult, but it’s actually quite fitting for this deeply unsettling movie, which uses a series of grandiose and idiosyncratic flourishes to explore one of the oldest and simplest concepts known to mankind: “an eye for an eye.”
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“Well, I tried to start a revolution, but didn’t print enough pamphlets so hardly anyone turned up. Except for my mum and her boyfriend, who I hate. As punishment, I was forced to be in here and become a gladiator. Bit of a promotional disaster that one, but I’ m actually organizing another revolution. I don’t know if you’d be interested in something like that? Do you reckon you’d be interested?”

DC has finally gotten a recent comic superhero movie right with Wonder Woman. We’ll know in just a few days if they can bring the streak to two films when Justice League hits the box office this month. Marvel, on the other hand, has a streak going that dates back to 2008
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“Once upon a time there was a great war that brought so much sadness to so many people. Hardly anyone could remember what happiness was like. But something happened that changed all that…”

“Winnie the Pooh doesn’t know what to do …” starts a popular song written by Kenny Loggins, recorded first in 1970 by the Nitty Gritty Dirt Band with a more popular and enduring version by Loggins And Messina a year later. Hundreds of millions of children since the 1920’s know who Winnie the Pooh is. He’s the happy-go-lucky bear who lives in the 100 Acre Wood with Piglet, Tigger, Owl, Rabbit, Eeyore, Kanga, and Roo. But Pooh’s best friend of all was a young boy named Christopher Robin.
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Thank You For Your Service is an enterprising look into what is like for some soldiers who return home from war. Some come back to find life has gone on without them, and so have the people they hold most dear. Some return only in body, with their minds reliving things that happened to them over there. Others will do anything just to go back, because that is the only reality that makes sense to them. All three of these circumstances are portrayed in a way that will hit close to home for some while allowing others an enriched perspective that will have them uttering those words with more emphasis than they would have in the past, “Thank you for your service.”
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As a director, George Clooney just hasn’t managed to reproduce the magic he had in his first effort Confessions of a Dangerous Mind.  I keep hoping that we’ll get another film at that caliber, but it seems over and over it is a swing and a miss.  Now he has his new film Suburbicon, and this could be his most divisive work to date.  There is nothing wrong with adding a social commentary to a film, but sometimes adding it can be a distraction from the film.  In the case of Suburbicon, it is a tale of two films that couldn’t be any more different from each other.  First we have a tale of a family attempting to keep their lives together following a home invasion, and then we have the story of a black family moving into a white neighborhood and the backlash that follows.
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Andy Serkis is mostly known for pioneering the industry of motion capture performance. Most of you may not know that he’s worked a bit behind the camera as well. He’s led a few second units as director but had not actually directed a feature film. Breathe is his first effort, and while it has some truly nice moments, it looks like a first effort. I have no doubt that Serkis will be eventually demand notice as a director. He demonstrates an incredible base of knowledge when it comes to filmmaking. He certainly understands how to make an emotional connection with characters that aren’t really there. The skills are evident. But I suspect Breathe won’t be called upon in a future list of Andy Serkis masterpieces.
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Based on a true story. We see those words preceding a lot of films these days. It’s almost as if we’ve started to chronicle our big moments via the cinema. If a story is tragic enough or portrays outstanding bravery or courage, you can expect it to eventually get a feature film. I can almost predict the big films of 2020 or so just by looking at the headlines in 2017. It’s become a little overdone for my tastes and can often appear exploitive in nature. These films are often devoid of originality. Of course they are. They’re based on something that real life has already written. I’ve seen bumper stickers that say “God is my co-pilot”. I’m waiting for him to get some screenplay credit or a chair in the writer’s room. Of course, he’d be expected to start paying dues to the Writer’s Guild. There’s also the added problem that the audience already knows how the film is going to end.
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When I first heard about The Snowman, this was a movie that got me excited, that we could possibly have a great thriller to look forward to. At one point Martin Scorsese was attached to direct the film. He eventually backed out of the project, though he is still credited as an executive producer for the film. To step in for the directing duties, Tomas Alfredson got the call, and it’s his involvement that initially got me excited. Back in 2008 Alfredson directed Let the Right One In, which I consider to be one of the greatest horror films to be released in decades. It’s hard for some directors to meet expectations when their first films are such a success.
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Action heroes are very much like sports superstars. So much of what they do is tied to their physical ability, and eventually time catches up to them. For sports figures they either try and accept it and go out on top, or they taint their legend by trying to hang on. The same can be said for action heroes, except there is a third alternative. Some action movie actors learn to adapt their material to their current skill level. Clint Eastwood, while not really an action star, was known for physical roles. He found a way to age quite well on screen with films like Unforgiven and Gran Torino. Jackie Chan appears to have learned that lesson, and The Foreigner, while not in the same stratosphere as Clint’s last staring efforts
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Up front I’ll tell you that the movie Happy Death Day has so many twists and turns that you would think you were on a wild ride at Universal Studios.  The fun but deadly storyline is a cross between Scary Movie and Groundhog Day, and the maze of thrills will have you spooked out until the very end. Or what you think is the end, so don’t get up out of your seat until it’s ALL over. Carrying the perfect movie rating, PG-13, the filmmakers sneak in what most teens are looking for without having to have a parent on hand to watch over them.  It’s has some rude stuff woven into the storyline and even some partial nudity that’s nothing more than a rear-end shot.  The shockers are the cool part, with the ugly killer popping in without notice.  Actually, when you feel the stalker is coming, it’s already there.
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