How long does it take for an affair to cross over from casual fling to a full-blown commitment? Well according to Oscilloscope Laboratories, about 28 Hotel Rooms. Chris Messina and Marin Ireland pair up to tell an engaging tale of two strangers who begin a long-standing relationship that spans cities, states, and possibly countries; the locations are bit harder to determine given that whenever we see the pair, they are never outside of a hotel. Another interesting factoid is that throughout the entire runtime of the film, neither one of the lead character’s names are mentioned.
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You know the story. A bunch of teens head out to a remote location to party, with most of the group getting drunk and/or high. Ignoring any and all warnings, they do something that invariably gets most of them killed, whether they deserve it or not. Most horror movies — like Cabin in the Woods or Wrong Turn — take this recipe and throw in their own flavor. Unfortunately, Nobody Gets Out Alive adds nothing new to the pot.
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The story about Finn, the human, and Jake, the Dog is something I’ve managed to come into without any knowledge of what is going on.  It’s not as though there is a complex plot built around the characters but I’m somewhat at a loss why the 12-13yrold boy lives with his talking dog with no parental unit to be seen.  I know it’s a cartoon and considering this takes place in the land of Ooo, hoping to find a plot thread that follows any real world logic is asking a bit much.
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Dumbo. Babar. Horton. Everyone loves elephants. These gentle giants of Africa and India have been lauded in both story and song. They’re also an integral part of any circus worth going to. With all this love for elephants, it would seem any movie about the oversize beasts would be a slam-dunk, right?
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Matlock began life as a television movie from Dean Hargrove, who brought us Columbo. Hargrove would later work the same magic with Dick Van Dyke in Diagnosis Murder. In fact, the two shows could easily have been companion pieces. Both featured sit-com stars from the 1950’s and 60’s who had become somewhat iconic characters. Both would don the role of professionals. Both shows would subscribe to the “formula” mode of storytelling. Diary Of A Perfect Murder would set up the Matlock formula. It’s simple, really. Matlock was a lawyer in Atlanta.
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Never underestimate the power of the internet and the sociopathic tendency of college kids; the truest statement I can make about horror flick Smiley. Only college kids would hear a story about a would-be killer who could be summoned by repeating a certain phrase three times (I will not say the phrase simply due to that fact that I am a bit superstitious). Now, what if you knew that cost of summoning this murder was that the person you directed the phrase to would be killed; would you summon him? Well, I’m sure you already know the answer to the question.
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From the opening title card, Mafia does its best to fit in with the blaxploitation films of the 70’s, and even with Pam Grier in one of the key roles the film just doesn’t hold up.  It seems a lot of filmmakers and fans have on rose-colored glasses to the exploitation era (I’ll lump myself in with this group as well), but the filmmakers who attempt these films forget a lot of these films of the past had a strong political or sociological message they were trying to send.  Just making a film set in the 70s and throwing on some filters doesn’t mean you made an exploitation film; it simply means you captured the cheap low quality of the pictures they made back then.
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