“My name is Sherlock, and I’m an addict.”

Elementary is one of those shows that rather quietly continues to do what it does without drawing a ton of attention, but yet enough fans that the series has been able to reach the 100-episode milestone here in its fifth season. That used to be a little more important than it is today. Years ago a show’s only chance at making money after the original run was through syndication. Today there are less independent stations, and they tend toward the situation comedies more than drama.
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Blue Bloods is the first television drama to capture the best of the police procedural and also the warmth and charm of the family drama. It’s like NYPD Blue invaded the set of Brothers & Sisters. The show brings incredibly good writing and production values that do look and feel like a film every week. You hear that a lot from series show runners, but this is one of those rare cases where it is true. It doesn’t hurt that the show has a strong cast that includes the like of Tom Selleck and Donnie Wahlberg. It doesn’t work unless everyone connected with a show buys into a common goal. That’s exactly what you get here, and it shows on the screen.
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“I’m Dr. Jason Bull. I’m not a lawyer. I’m an expert in what’s called trial science. I study the jury’s behavioral patterns. I know what they’re thinking before they do. Everything my team learns gets plugged into a matrix, which allows us to assemble a shadow jury that is scary in its predictive efficiency. The verdict you get depends on me, and that’s no bull.”

When Michael Weatherly left NCIS after 13 seasons, it’s not like he didn’t have a pretty wide safety net.
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Tragedy has a way of tearing families apart, and that is the case in Oxenfree, a story about three foster brothers who reunite at their family’s vacation lodge. As expected, their reunion is not a happy one, as old wounds are reopened and differences are brought to the forefront. But beyond that, Oxenfree displays a childlike wonder that you cannot help but enjoy as the three embrace the better parts of their childhoods via the retelling of a ghost story passed down from generation to generation, as well as an epic battle for a makeshift fort. It is definitely a film worth seeing, and a wholesome experience that the entire family can enjoy.
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It seems there is no end in sight for comic book properties being bought and turned into movies or television series. Lucifer is one of the newer properties getting the television treatment, and personally this was a title I was looking forward to. With Tom Kapinos (Californication and Dawson’s Creek) at the helm, this seemed like it would be a good fit, though one thing did nag at me. When you have a show called Lucifer and it is about the devil taking a vacation on Earth, is broadcast television really the proper outlet? As a fan of Californication I was excited to see what Kapinos would do with the material and for the most part the show doesn’t disappoint.
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The blues has had a tremendous impact on our contemporary popular culture, as it is largely the foundation of what we have come to understand as “pop music.” Without the blues, cultural phenomena such as Rock N’ Roll, Beatlemania, the British Invasion, heavy metal, hip-hop, gangsta rap, grunge, and contemporary pop would have evolved much differently. Even as I look over that list, I can’t make an argument for any one of those cultural shifts to be as impactful or as lasting as the blues. Perhaps I am a little biased as a rock enthusiast and musician, but every good guitar player knows that most of their stylistic flair can be traced right back to the Deep South.
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I used to be a basketball fan back in the ’90s when Michael Jordan was a God on the court and you had Larry Johnson as “Grandmama” before Madea was ever a thing. Every year, some sort of inspirational sports story seems to come out. And for the most part it seems, whether it’s basketball or another sport, it’s generally the same story. But every once in a while one of the films will break the mold and give us something special. Don’t get to excited: I’m not saying Wolves is one of those films, but it is at least better than most of the other films of its ilk.
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In one corner you have U.S Attorney Chuck “The Scholar” Rhodes, played by Paul Giamatti. He’s the reigning world champion with a record of 80+ to 0. In the other corner is Bobby “Axe” Axelrod, played by Damian Lewis; he could also be considered undefeated. He runs a sexy brokerage firm. Both of these guys walk and talk like champs. There’s a lot of trash-talk between them, but both have very lurid and potentially devastating skeletons in their perspective closets. This season finds them each willing to risk anything just to get to the other.
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“Welcome back to New Orleans.”

The most recent member of the NCIS family enters its third season. There are some changes, but not just in the show’s cast. I have noticed a concerted effort to use the term NOLA by both the characters and various signs and symbols displayed throughout the new season. It’s a bit odd, because at one point a character chastises an outsider that the locals prefer New Orleans. Minutes later that same character uses the term NOLA. The crew now even wear lanyards that say NCIS:NOLA on them. I have not been to New Orleans post-Katrina, so I’m not up on whatever local thing might be going on with the name.
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