2.40:1 Widescreen (16:9)

There are certain things that are obvious to some of us, and nobody wants to talk about them. All people are full of weaknesses that they then try to deny exist. People are people, but some people think they are better than other people. It seems obvious that we should all try to get over our hatred and be more accepting of all our differences and see how much alike we all are. Black or White is an important movie that comes in the form of a fun and heartwarming melodrama. The movie navigates through very murky and unexplored waters and comes out the other side triumphantly.
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Despite being one of the most successful actresses in Hollywood for the better part of 20 years — Friends premiered in 1994 — it’s been all too easy to dismiss Jennifer Aniston’s big screen resume. Until recent sexpot roles in broad comedies (We’re The Millers, the Horrible Bosses two-logy), most of her hits (Bruce Almighty, Along Came Polly, The Break-Up, Marley and Me) were girlfriend/wife roles that didn’t stray too far from the Rachel Green mold. Cake made less than $2 million at the box office, but it’s also the first movie that made me excited about Aniston’s movie career.
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“Finish that sentence…why do I have to walk a thousand miles?”

The answer to that question probably won’t satisfy everyone who watches Wild, which is based on Cheryl Strayed’s first-person chronicle of her 1,100-mile hike from the Mojave Desert to Oregon. To some, there simply isn’t a compelling enough excuse to ditch your responsibilities and go on an extended journey of self-discovery. The reason Wild works — besides career-best work from its Oscar-nominated star — is because the ultimate explanation is something simple that most people can relate to: Strayed walked more than 1,000 miles to prove she could do it.
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When it comes to the modern epic, director Ridley Scott is the go-to guy to pull off the sprawling and mega-budget storylines.  From Gladiator to Kingdom of Heaven, Scott has constantly proven himself behind the camera in executing tales with lavish sets and battles involving hundreds to even thousands of extras.  With the release of Exodus: Gods and Kings, a retelling of the Bible story where Moses frees the slaves of Egypt, Ridley Scott would seem the perfect choice for this film.  Unfortunately, this is a Bible story that is sure to anger religious scholars and put some general audiences to sleep.
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“You want me to fall back in love with you? How do I do that if I never stopped?”

Or, in my case, how do I do that if I never started? Nicholas Sparks’ fans love the author as passionately and unabashedly as the lead characters in his best-selling books fawn over each other. But even though I think The Notebook is the ideal sappy romantic drama, I’ve never been part of that club. In fact, his stories — and the movie adaptations they spawn — seem to be getting worse. And yet I was somewhat intrigued by The Best of Me…at least until the movie’s monumentally dopey conclusion, which likely inspired the release of this “Tears of Joy” mea culpa Edition.
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